Add to ORKGThis paper sets up a paradigm for creative architectural animations, drawing cinematic, architectural and narrative theories together to form a “Spatial Characteri. Based on this definition, students created architectural animations. These served as working platform of an entry to the FEIDAD-Competition that defined and placed architecture into a cinematic context
Narrative, as one of the closest aspect to human experience, is sometimes overlooked because of its ...
Narrative, as one of the closest aspect to human experience, is sometimes overlooked because of its ...
It proposes a procedure to elaborate animated presentations of architectural designs based on percep...
Cinemas have always communicated beyond space and time. However, the illusion of being in a syntheti...
Architects sometimes use architectural animations to explain their designs. To probe the practice of...
This paper proposes a general method to make animated presentations of architectural designs, based ...
The paper presents film techniques for the expressive development of architectural animations, based...
Since the late Nineties, digital architectural animation emerged as one of the main methods for repr...
Since the late Nineties, digital architectural animation emerged as one of the main methods for repr...
As part of our inquiry about the practice of architectural film and animation and where it might go,...
Digital animation provides a new possibility to exhibit architectural projects, but it must address ...
Since the late Nineties, digital architectural animation emerged as one of the main methods for rep...
Narrative, as one of the closest aspect to human experience, is sometimes overlooked because of its ...
Consider the current graphic capabilities of multimedia authoring tools. Many information technologi...
Narrative, as one of the closest aspect to human experience, is sometimes overlooked because of its ...
Narrative, as one of the closest aspect to human experience, is sometimes overlooked because of its ...
Narrative, as one of the closest aspect to human experience, is sometimes overlooked because of its ...
It proposes a procedure to elaborate animated presentations of architectural designs based on percep...
Cinemas have always communicated beyond space and time. However, the illusion of being in a syntheti...
Architects sometimes use architectural animations to explain their designs. To probe the practice of...
This paper proposes a general method to make animated presentations of architectural designs, based ...
The paper presents film techniques for the expressive development of architectural animations, based...
Since the late Nineties, digital architectural animation emerged as one of the main methods for repr...
Since the late Nineties, digital architectural animation emerged as one of the main methods for repr...
As part of our inquiry about the practice of architectural film and animation and where it might go,...
Digital animation provides a new possibility to exhibit architectural projects, but it must address ...
Since the late Nineties, digital architectural animation emerged as one of the main methods for rep...
Narrative, as one of the closest aspect to human experience, is sometimes overlooked because of its ...
Consider the current graphic capabilities of multimedia authoring tools. Many information technologi...
Narrative, as one of the closest aspect to human experience, is sometimes overlooked because of its ...
Narrative, as one of the closest aspect to human experience, is sometimes overlooked because of its ...
Narrative, as one of the closest aspect to human experience, is sometimes overlooked because of its ...
It proposes a procedure to elaborate animated presentations of architectural designs based on percep...