This is a study involving research, analysis and performance of music composed by jazz artists in the last twenty years. The focus of this discussion will be on the influence of several outside genres on the music of these jazz composers. In particular it will examine transcriptions of works by composers including Dave Holland, John Scofield, Hiromi Uehara, Nils Wogram, Christian McBride, Bill Frisell, Kenny Garrett and Pat Metheny. The analysis of these transcriptions will examine the devices the composers have used such as counterpoint, harmony, rhythm, instrumentation, melody, time signatures, form et al. and assess how any outside genres may have affected these devices. Furthermore the analysed compositions will be performed in a recita...
This project began its life as a doctoral thesis at the University of Nebraska-Lincoln. My superviso...
This project began its life as a doctoral thesis at the University of Nebraska-Lincoln. My superviso...
This study will attempt to de-mystify some of the techniques utilized in contemporary large ensemble...
Over the course of the twentieth century, jazz grew up from barroom dance music to a powerful artist...
Over the course of the twentieth century, jazz grew up from barroom dance music to a powerful artist...
Over the course of the twentieth century, jazz grew up from barroom dance music to a powerful artist...
The development of an original repertoire for the wind band has been a concerted effort by many sinc...
This exegesis examines influences, processes and idiosyncrasies in musical improvisation in a jazz c...
The theories of Heinrich Schenker are regarded as among the most important in the history of tonal m...
The theories of Heinrich Schenker are regarded as among the most important in the history of tonal m...
The study's objective is to relate the development of Pat Metheny's stylistic characteristics from h...
The development of an original repertoire for the wind band has been a concerted effort by many sinc...
One continuing trend in solo trombone literature is the combination of classical and contemporary st...
Jazz composition is rarely given equal consideration in comparison to the attention given to iconic ...
This project began its life as a doctoral thesis at the University of Nebraska-Lincoln. My superviso...
This project began its life as a doctoral thesis at the University of Nebraska-Lincoln. My superviso...
This project began its life as a doctoral thesis at the University of Nebraska-Lincoln. My superviso...
This study will attempt to de-mystify some of the techniques utilized in contemporary large ensemble...
Over the course of the twentieth century, jazz grew up from barroom dance music to a powerful artist...
Over the course of the twentieth century, jazz grew up from barroom dance music to a powerful artist...
Over the course of the twentieth century, jazz grew up from barroom dance music to a powerful artist...
The development of an original repertoire for the wind band has been a concerted effort by many sinc...
This exegesis examines influences, processes and idiosyncrasies in musical improvisation in a jazz c...
The theories of Heinrich Schenker are regarded as among the most important in the history of tonal m...
The theories of Heinrich Schenker are regarded as among the most important in the history of tonal m...
The study's objective is to relate the development of Pat Metheny's stylistic characteristics from h...
The development of an original repertoire for the wind band has been a concerted effort by many sinc...
One continuing trend in solo trombone literature is the combination of classical and contemporary st...
Jazz composition is rarely given equal consideration in comparison to the attention given to iconic ...
This project began its life as a doctoral thesis at the University of Nebraska-Lincoln. My superviso...
This project began its life as a doctoral thesis at the University of Nebraska-Lincoln. My superviso...
This project began its life as a doctoral thesis at the University of Nebraska-Lincoln. My superviso...
This study will attempt to de-mystify some of the techniques utilized in contemporary large ensemble...