From bell ringing to fireworks, gongs to cannon salutes, a dazzling variety of sounds and soundscapes marked the China encountered by the West around 1800. These sounds were gathered by diplomats, trade officials, missionaries, and other travelers and transmitted back to Europe, where they were reconstructed in the imaginations of writers, philosophers, and music historians such as Jean-Philippe Rameau, Johann Nikolaus Forkel, and Charles Burney. Thomas Irvine gathers these stories in Listening to China, exploring how the sonic encounter with China shaped perceptions of Europe’s own musical development
This is one of hundreds of 60-second radio spots created by the Center for East Asian Studies (CEAS)...
International audienceCultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents...
In this fascinating collection of essays, an international group of scholars explores the sonic cons...
Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, y...
My dissertation explores the transmission of musical knowledge between China, Portugal, and France i...
A devotion to music in Chinese classical texts is worth noticing. Early Chinese thinkers saw music a...
Mentor: Matthew Rahaim (Ethnomusicology)This past year, I have been researching the impact of wester...
This article offers an overview of British responses to Chinese music in the 18th century, and discu...
The Chinese made the world's first bronze chime-bells, which they used to perform ritual music, part...
This chapter examines the growing awareness of the “national properties” of sounds in the eighteenth...
Noise as an element evocative of teahouse atmosphere was part of the voice of opera in China at the ...
The dissertation examines the transnational origins and intermedial making of Chinese auditory cultu...
Very happy to announce the publication of the first issue of "Sinophone Musical Worlds" in China Per...
Presence Through Sound narrates and analyses, through a range of case studies on selected musics of ...
China’s engagement with the world is shaped by how China understands itself, the world, and China’s ...
This is one of hundreds of 60-second radio spots created by the Center for East Asian Studies (CEAS)...
International audienceCultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents...
In this fascinating collection of essays, an international group of scholars explores the sonic cons...
Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, y...
My dissertation explores the transmission of musical knowledge between China, Portugal, and France i...
A devotion to music in Chinese classical texts is worth noticing. Early Chinese thinkers saw music a...
Mentor: Matthew Rahaim (Ethnomusicology)This past year, I have been researching the impact of wester...
This article offers an overview of British responses to Chinese music in the 18th century, and discu...
The Chinese made the world's first bronze chime-bells, which they used to perform ritual music, part...
This chapter examines the growing awareness of the “national properties” of sounds in the eighteenth...
Noise as an element evocative of teahouse atmosphere was part of the voice of opera in China at the ...
The dissertation examines the transnational origins and intermedial making of Chinese auditory cultu...
Very happy to announce the publication of the first issue of "Sinophone Musical Worlds" in China Per...
Presence Through Sound narrates and analyses, through a range of case studies on selected musics of ...
China’s engagement with the world is shaped by how China understands itself, the world, and China’s ...
This is one of hundreds of 60-second radio spots created by the Center for East Asian Studies (CEAS)...
International audienceCultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents...
In this fascinating collection of essays, an international group of scholars explores the sonic cons...