From 1774 to 1785, Naples hosted six different productions of Gluck's 'reform' operas: two of "Orfeo ed Euridice" (both in 1774, but in two different versions and venues), two of "Alceste" (in 1779 and 1785) and two of "Paride ed Elena" (in 1777 and 1779). In the first part, the article collects and discusses all the extant documents about these performances. The second part is a detailed study of the ideas of the Neapolitan theorists about Calzabigi and Gluck. The article demostrates that, even if some authors appreciated specific features of the 'reform', the Neapolitan musical culture was dominated by a more traditional operatic taste
This volume collects the results of two seminars, held in 2011 in Rome and in 2013 in Fribourg. A wi...
Christoph Willibald Gluck composed 6 one-act works in Vienna, which are occasional works praising th...
The finding of a rich series of documents in the Archivio Storico of the Istituto Banco di Napoli – ...
From 1774 to 1785, Naples hosted six different productions of Gluck's 'reform' operas: two of "Orfeo...
In this master thesis I look at the revivals of Gluck’s Orfeo ed Euridice in London (1770 and 1785),...
Naples in the last thirty years of the eighteenth-century was characterized by a fervent climate of ...
This research is a monography about Giuseppe Palomba, a neapolitan librettist, lived between the eig...
The article examines the occasional genres flourished during the French domination in Naples (1806-1...
© 2013 Nancy CaloPietro Alessandro Guglielmi’s opera buffa or bernesca, titled Lo spirito di contrad...
The article is the result of some researches about the ideas on the operatic reform appeared in Ital...
The essay is the results of research work promoted and financed by the Fondazione Pergolesi Spontini...
Around 1700, opera in Italy underwent a period of change often referred to as the “first reform.” Th...
The essay is the results of research work promoted and financed by the Fondazione Pergolesi Spontini...
Historical consideration of Gluck’s status and works and of 18th century serious opera have been bia...
This volume collects the results of two seminars, held in 2011 in Rome and in 2013 in Fribourg. A wi...
Christoph Willibald Gluck composed 6 one-act works in Vienna, which are occasional works praising th...
The finding of a rich series of documents in the Archivio Storico of the Istituto Banco di Napoli – ...
From 1774 to 1785, Naples hosted six different productions of Gluck's 'reform' operas: two of "Orfeo...
In this master thesis I look at the revivals of Gluck’s Orfeo ed Euridice in London (1770 and 1785),...
Naples in the last thirty years of the eighteenth-century was characterized by a fervent climate of ...
This research is a monography about Giuseppe Palomba, a neapolitan librettist, lived between the eig...
The article examines the occasional genres flourished during the French domination in Naples (1806-1...
© 2013 Nancy CaloPietro Alessandro Guglielmi’s opera buffa or bernesca, titled Lo spirito di contrad...
The article is the result of some researches about the ideas on the operatic reform appeared in Ital...
The essay is the results of research work promoted and financed by the Fondazione Pergolesi Spontini...
Around 1700, opera in Italy underwent a period of change often referred to as the “first reform.” Th...
The essay is the results of research work promoted and financed by the Fondazione Pergolesi Spontini...
Historical consideration of Gluck’s status and works and of 18th century serious opera have been bia...
This volume collects the results of two seminars, held in 2011 in Rome and in 2013 in Fribourg. A wi...
Christoph Willibald Gluck composed 6 one-act works in Vienna, which are occasional works praising th...
The finding of a rich series of documents in the Archivio Storico of the Istituto Banco di Napoli – ...