Part of the Performance-as-Commemoration project, this practice-as-research performance took place on the 100th anniversary of the Battle of the Somme (1 July, 2016) at the Judge's Lodgings in Lincoln, and was later broadcast on BBC Radio Lincolnshire and BBC iPlayer. The performance is a response to the following research questions: How can live performance 'commemorate' rather than 'memorialise' or 're-enact' significant historical events? How can music and the musical archive commemorate loss? Are there any unperformed compositions/arrangements of music from composers who fought and fell at the Somme
For voice and piano.; At head of t.p.: Patriotic Fund, Tasmania.; Library's copy cropped.; Publicati...
When faced with loss, trauma, or any form of tragedy, humans often turn to music as a method of comf...
Whilst testimony has been studied in a variety of disciplinary fields the relevance of sound as a me...
Performance-as-Comemmoration: Theatre and Performance as a Model for Commemorative Remembrance (2014...
This article, the first of a pair covering the interwar years, examines developments in music progra...
This book locates and critically theorises an emerging field of twenty-first century theatre practic...
The unveiling of memorials to those who fell in World War One were highly solemn, dramatic and emoti...
This monograph examines the relationship between music and memory as it relates to the Gallipoli Cam...
Memorials all over Europe became sites of ritual performances of mourning and remembering by familie...
This article makes the case for incorporating music into the history of war commemoration in 1920s B...
Broadcasting was one of the principal means by which the affective, social, and political meanings o...
Sounds and silences are an integral to the history and memory of the First World War. The aural land...
An MP3 published on Player FM (USA) to help commemorate the 1st of July anniversary of the beginning...
A close look at commemorations with a focus on occurring performance shows the decisive role of p...
The First World War and the industrialization of the era changed the world drastically, and much of ...
For voice and piano.; At head of t.p.: Patriotic Fund, Tasmania.; Library's copy cropped.; Publicati...
When faced with loss, trauma, or any form of tragedy, humans often turn to music as a method of comf...
Whilst testimony has been studied in a variety of disciplinary fields the relevance of sound as a me...
Performance-as-Comemmoration: Theatre and Performance as a Model for Commemorative Remembrance (2014...
This article, the first of a pair covering the interwar years, examines developments in music progra...
This book locates and critically theorises an emerging field of twenty-first century theatre practic...
The unveiling of memorials to those who fell in World War One were highly solemn, dramatic and emoti...
This monograph examines the relationship between music and memory as it relates to the Gallipoli Cam...
Memorials all over Europe became sites of ritual performances of mourning and remembering by familie...
This article makes the case for incorporating music into the history of war commemoration in 1920s B...
Broadcasting was one of the principal means by which the affective, social, and political meanings o...
Sounds and silences are an integral to the history and memory of the First World War. The aural land...
An MP3 published on Player FM (USA) to help commemorate the 1st of July anniversary of the beginning...
A close look at commemorations with a focus on occurring performance shows the decisive role of p...
The First World War and the industrialization of the era changed the world drastically, and much of ...
For voice and piano.; At head of t.p.: Patriotic Fund, Tasmania.; Library's copy cropped.; Publicati...
When faced with loss, trauma, or any form of tragedy, humans often turn to music as a method of comf...
Whilst testimony has been studied in a variety of disciplinary fields the relevance of sound as a me...