During the month-long residency, Charley Peters collaborated with a number of invited artists to consider the physical presence of paint and the posterity of painting in post digital visual culture. They were working with a limited palette of red, green and blue (the colours of the screen) to make ‘paintings’ together that were presented, recorded and then reconfigured with work made by the other artists as the residency progresses. The documentation of the work was disseminated on Instagram and the residency studio was used as a simultaneous work and presentation space. The project explored ideas of authorship around painting, and the potential of painting to exist spatially and to change over time. Invited Artists that Peters collabora...