Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world. In this edited collection, the editor explores that conjunction, bringing in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for a new era
In the early work and theory of the Italian futurists, physical motion constituted a modern and mode...
Yervant Gianikian and Angela Ricci Lucchi’s cinema uses the images of the past to build knowledge of...
Revisiting the future re-examines some ideas of the Italian Futurist painters Boccioni, Balla, Carra...
Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as h...
The Italian Futurist painters who were active in the early years of the 20th Century sought to captu...
The primary aim of the following master's thesis is analyzing the relationship between the Italian c...
Introduzione alla curatela "Futurist Cinema. Studies on Italian Avant-garde Film"
From the very beginning, directors, critics, historians of cinema but also of art and, again, writer...
Formal search in the 1950’s and the 1960’s in Italian neo-realism and the French New Wave: their vis...
The most important movie produced by Italian Futurists was certainly the performance film Vita futur...
Italian artists' books stand threads which have their common starting point in a renewed interest fo...
At exactly 100 years after its birth, Futurism is revisited in terms of the new potentialities offer...
An avant-garde movement that explored many different aesthetic fields, Futurism focused on cinema b...
The history of avant-garde film in the twentieth century can be defined by a widely accepted canon o...
La incursión de los movimientos intelectuales de principios de siglo en el ámbito cinematográfico, e...
In the early work and theory of the Italian futurists, physical motion constituted a modern and mode...
Yervant Gianikian and Angela Ricci Lucchi’s cinema uses the images of the past to build knowledge of...
Revisiting the future re-examines some ideas of the Italian Futurist painters Boccioni, Balla, Carra...
Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as h...
The Italian Futurist painters who were active in the early years of the 20th Century sought to captu...
The primary aim of the following master's thesis is analyzing the relationship between the Italian c...
Introduzione alla curatela "Futurist Cinema. Studies on Italian Avant-garde Film"
From the very beginning, directors, critics, historians of cinema but also of art and, again, writer...
Formal search in the 1950’s and the 1960’s in Italian neo-realism and the French New Wave: their vis...
The most important movie produced by Italian Futurists was certainly the performance film Vita futur...
Italian artists' books stand threads which have their common starting point in a renewed interest fo...
At exactly 100 years after its birth, Futurism is revisited in terms of the new potentialities offer...
An avant-garde movement that explored many different aesthetic fields, Futurism focused on cinema b...
The history of avant-garde film in the twentieth century can be defined by a widely accepted canon o...
La incursión de los movimientos intelectuales de principios de siglo en el ámbito cinematográfico, e...
In the early work and theory of the Italian futurists, physical motion constituted a modern and mode...
Yervant Gianikian and Angela Ricci Lucchi’s cinema uses the images of the past to build knowledge of...
Revisiting the future re-examines some ideas of the Italian Futurist painters Boccioni, Balla, Carra...