To assess architectural drawings should respect precise rules and codes is an obvious consideration, nevertheless, analyzing any projects graphics, we can find drawings with considerable ambiguity of expression. In the climate of the Twenties in Italy, we believe that matter assumes a particular value both for the strong impulse to change that for the difficulty the abandonment of historicist styles and modes. This contribution, relate to analysis of the project winner of the competition for the Quartiere dell’Artigianato of Rome, can represent one between the possible interpretations of the slow decline of the way of thinking and drawing architecture
In 2018 the exhibition Mario Bellini. The drawing of the project took place in Milano. The drawings ...
As it’s well know, the «architectures in the drawer», drawings that are in the archives and have not...
"Drawing as a Way of Knowing: Architectural Survey in the Late Renaissance" explores a group of sixt...
Che le modalità espressive degli elaborati progettuali debbano uniformarsi a regole e codici è consi...
At the beginning of the twentieth century, in the architectural field, we witness the break with the...
The tradition embracing architecture among the arts of drawing seems to be in decline. The paper dea...
Can drawing be taken as an exploratory key to study a symbolic building of Italian Rationalism? This...
The contribution intends to present theoretical reflections on the role of drawing, on its technical...
1. This text relates to our current investigation on the relationship between design and drawing. Th...
This paper examines the relationships between Drawing and Project in the light of the work of two le...
Tese de mestrado em Teorias da Arte, apresentada à Universida de de Lisboa através da Faculdade de B...
Drawing has the power to generate design. It is not only the depiction of an image in the architect\...
The drawing is one of the most ancient and widely used tools for teaching architecture. «Through his...
The drawing is one of the most ancient and widely used tools for teaching architecture. «Through his...
The exhibition wanted to put the attention on the importance of manual drawing for the design thinki...
In 2018 the exhibition Mario Bellini. The drawing of the project took place in Milano. The drawings ...
As it’s well know, the «architectures in the drawer», drawings that are in the archives and have not...
"Drawing as a Way of Knowing: Architectural Survey in the Late Renaissance" explores a group of sixt...
Che le modalità espressive degli elaborati progettuali debbano uniformarsi a regole e codici è consi...
At the beginning of the twentieth century, in the architectural field, we witness the break with the...
The tradition embracing architecture among the arts of drawing seems to be in decline. The paper dea...
Can drawing be taken as an exploratory key to study a symbolic building of Italian Rationalism? This...
The contribution intends to present theoretical reflections on the role of drawing, on its technical...
1. This text relates to our current investigation on the relationship between design and drawing. Th...
This paper examines the relationships between Drawing and Project in the light of the work of two le...
Tese de mestrado em Teorias da Arte, apresentada à Universida de de Lisboa através da Faculdade de B...
Drawing has the power to generate design. It is not only the depiction of an image in the architect\...
The drawing is one of the most ancient and widely used tools for teaching architecture. «Through his...
The drawing is one of the most ancient and widely used tools for teaching architecture. «Through his...
The exhibition wanted to put the attention on the importance of manual drawing for the design thinki...
In 2018 the exhibition Mario Bellini. The drawing of the project took place in Milano. The drawings ...
As it’s well know, the «architectures in the drawer», drawings that are in the archives and have not...
"Drawing as a Way of Knowing: Architectural Survey in the Late Renaissance" explores a group of sixt...