Rozmywanie granic: Geopoetyka węgierskiej trylogii Krzysztofa Vargi

Brisanje meja: Geopoetika madžarske trilogije Krzysztofa Varge Ena najopaznejših značilnosti prostorskih kategorij, ki jih najdemo v madžarski trilogiji Krzysztofa Varge, je brisanje meja – kar se zdi centralno, je utesnjujoče obrobnokar je prepoznano kot nebistveno, se nenadoma dvigne na raven središčnega in poglavitnegatuje se prepleta z znanimprvotno sveti kraji in stvari izgubljajo svetostkar se zdi oddaljeno, nenadoma postane blizu in sodobno. V analitičnem delu se avtorica dotakne tudi t. i. kategorije telesnega spomina (Thomas Fuchs), pri čemer je v članku izpostavljen tudi zanimiv Vargov vidik združevanja različnih perspektiv gledanja na madžarski prostor.One of the most significant features of spatial categories that can be seen in the Hungarian trilogy written by Krzysztof Varga is blurring the boundaries – what appears to be central is depressingly peripheralwhat is indicated as irrelevant suddenly grows to the level of the central and important. The alien is intertwined with the familiar, places and things that were originally sacred are devoid of these qualities, and what appears to be distant suddenly gains the rank of contemporary and close. During the analysis, we refer to the category of “body memory” (Thomas Fuchs) and the article also highlights an interesting point of view that Varga presents in his prose – he combines different perspectives of looking at the Hungarian territory