The goal of the dissertation is to investigate the transmission of Dutch folk songs: which parts of melodies change, and which remain stable? To this end, melodies are compared computationally, using similarity measures established in Music Information Retrieval. The computational comparison quantifies the stability, i.e., resistance to change, of a given melodic segment within a group of related melodies. This quantified stability of melodic segments is then related to hypotheses which might predict stability. The hypotheses are based on previous evidence from music cognition and computational musicology. They concern the length, the number of repetitions and position of melodic segments, as well as the melodic expectations created by the ...
We argue for a memory-based approach to music analysis which works with concrete musical experiences...
This study explores the relation between repetition and popularity in Dutch historical songs. Previo...
The information content of each successive note in a piece of music is not an intrinsic musical prop...
Variation in music can be caused by different phenomena: conscious, creative manipulation of musical...
We base our research question on the observation that variants of melodies in oral transmission vary...
In this paper we compare computational approaches to rhythmic and melodic similarity in order to fin...
In this paper we compare computational approaches to rhythmic and melodic similarity in order to fin...
Much research has been devoted to the classification of folk songs, revealing that variants are reco...
This article investigates popular topics and topical fluctuations in a diachronic corpus of 43,772 D...
Absolute Pitch (AP) is the ability to identify or produce isolated tones in the absence of contextua...
In order to develop a Music Information Retrieval system for folksong melodies, one needs to design ...
This article addresses questions about stability and variation in folk singing in relation to differ...
According to musicological studies on oral transmission, repeated patterns are considered important ...
This article addresses questions about stability and variation in folk singing in relation to differ...
Abstract Melody beyond notes - a study of melody cognition Keywords: Melody, Cognition, Melodic segm...
We argue for a memory-based approach to music analysis which works with concrete musical experiences...
This study explores the relation between repetition and popularity in Dutch historical songs. Previo...
The information content of each successive note in a piece of music is not an intrinsic musical prop...
Variation in music can be caused by different phenomena: conscious, creative manipulation of musical...
We base our research question on the observation that variants of melodies in oral transmission vary...
In this paper we compare computational approaches to rhythmic and melodic similarity in order to fin...
In this paper we compare computational approaches to rhythmic and melodic similarity in order to fin...
Much research has been devoted to the classification of folk songs, revealing that variants are reco...
This article investigates popular topics and topical fluctuations in a diachronic corpus of 43,772 D...
Absolute Pitch (AP) is the ability to identify or produce isolated tones in the absence of contextua...
In order to develop a Music Information Retrieval system for folksong melodies, one needs to design ...
This article addresses questions about stability and variation in folk singing in relation to differ...
According to musicological studies on oral transmission, repeated patterns are considered important ...
This article addresses questions about stability and variation in folk singing in relation to differ...
Abstract Melody beyond notes - a study of melody cognition Keywords: Melody, Cognition, Melodic segm...
We argue for a memory-based approach to music analysis which works with concrete musical experiences...
This study explores the relation between repetition and popularity in Dutch historical songs. Previo...
The information content of each successive note in a piece of music is not an intrinsic musical prop...