Musical language does not carry obvious semantic meaning. The question of whether music has semantic meaning, or how it does, has been an age old question in musicology. This paper is a case study of musical analyses from Lawrence Kramer and Constantin Floros, and it discusses how they interpret semantic meaning into the Beethoven and Mahler pieces they analyze. Their analyses are then discussed against Nicholas Cook's model of musical meaning, and the formalist approach of Leonard B. Meyer. Even though these offer some insight to the difficulties faced in Kramer's and Floros' methods, some major problems with associating semantic meaning into music remain
This dissertation investigates the relation of language to music. In particular, it probes the manne...
Musical excerpts have been shown to have the capacity to prime the processing of target words and vi...
The idea of musical signification has been implicit for a long time in writings on music, but only d...
Lawrence Kramer has been a pivotal figure in the development of the controversial new musicology, in...
We hear popular clichés about music telling a story or painting a picture; but musical meaning is a ...
Background in linguistic semantics Meaning has been the most difficult issue to tackle in linguistic...
Does the music that we know have a language-like semantics? I argue that mere agreement among audito...
The theme of meaning in music is very wide and above all not well defined up to today. In this paper...
This paper is about the musical meaning and its relation to verbal meaning. My aim is to show tha...
Theorists and musicologists have asked what particular musical works mean, what particular musical o...
ABSTRACTIneffability of musical meaning is a frequent theme in music philosophy. However, talk about...
The reflections on music are crucial in the philosophy of language and the mind of the second Wittge...
This chapter describes the structural similarities between music and language, in pursuit of a stron...
How do semantic effects in music emerge? What is the semantic impact of different musical adaptation...
Words and music are two distinct symbolic modes. Yet, as human ways of communication or forms of e...
This dissertation investigates the relation of language to music. In particular, it probes the manne...
Musical excerpts have been shown to have the capacity to prime the processing of target words and vi...
The idea of musical signification has been implicit for a long time in writings on music, but only d...
Lawrence Kramer has been a pivotal figure in the development of the controversial new musicology, in...
We hear popular clichés about music telling a story or painting a picture; but musical meaning is a ...
Background in linguistic semantics Meaning has been the most difficult issue to tackle in linguistic...
Does the music that we know have a language-like semantics? I argue that mere agreement among audito...
The theme of meaning in music is very wide and above all not well defined up to today. In this paper...
This paper is about the musical meaning and its relation to verbal meaning. My aim is to show tha...
Theorists and musicologists have asked what particular musical works mean, what particular musical o...
ABSTRACTIneffability of musical meaning is a frequent theme in music philosophy. However, talk about...
The reflections on music are crucial in the philosophy of language and the mind of the second Wittge...
This chapter describes the structural similarities between music and language, in pursuit of a stron...
How do semantic effects in music emerge? What is the semantic impact of different musical adaptation...
Words and music are two distinct symbolic modes. Yet, as human ways of communication or forms of e...
This dissertation investigates the relation of language to music. In particular, it probes the manne...
Musical excerpts have been shown to have the capacity to prime the processing of target words and vi...
The idea of musical signification has been implicit for a long time in writings on music, but only d...