Thanks to "Belligerent Eyes", an experimental project led by Luigi Alberto Coppini for the Prada Foundation, a great deal of video material has resurfaced. This rediscovered material was recorded by Michelangelo Antonioni and Enrica Fico while travelling in Japan in the mid-eighties. It consists of seven long-lost videotapes, filmed in the Betacam format, that total around four hours of footage. Today the publication of this footage online allows us to reflect on the way we view other cultures, as seen through the eyes of the auteur. In this context, the article seeks to re-write the experience of Antonioni in Japan in the light of postcolonial studies, and makes comparison to films made by Chris Marker and Wim Wenders in the same period. F...
Italy was a vibrant centre of Video Art production and exhibition throughout the 1970s and 1980s. Th...
This work unfolds delineating the typology of self-portrait videos to the extent available through t...
This thesis considers representations of time in cinema in the work of Michelangelo Antonioni and Am...
Thanks to "Belligerent Eyes", an experimental project led by Luigi Alberto Coppini for the Prada Fou...
Marco Dalla Gassa’s is both an accurate historical reconstruction of the traveling and filming of Mi...
Michelangelo Antonioni’s 1966 film Blow-Up is a masterfully constructed and paced exploration of the...
MasterThis is the support of a three-day seminar of the "European Master in InterCultural Communicat...
MasterThis is the support of a three-day seminar of the "European Master in InterCultural Communicat...
China is one of the most ambitious and controversial projects of Antonioni. Filmed in 1972, in full ...
Italy was a vibrant centre of video art production and exhibition throughout the 1970s and 1980s. Th...
States of trance and spirit possession have inspired the modernist imagination perhaps more than any...
Michelangelo Pistoletto a créé des dispositifs picturaux et spatiaux, des installations, des œuvres,...
The role of amateur footage in archiving and documenting the past has only been recently acknowledge...
Italy was a vibrant centre of Video Art production and exhibition throughout the 1970s and 1980s. Th...
This work unfolds delineating the typology of self-portrait videos to the extent available through t...
This thesis considers representations of time in cinema in the work of Michelangelo Antonioni and Am...
Thanks to "Belligerent Eyes", an experimental project led by Luigi Alberto Coppini for the Prada Fou...
Marco Dalla Gassa’s is both an accurate historical reconstruction of the traveling and filming of Mi...
Michelangelo Antonioni’s 1966 film Blow-Up is a masterfully constructed and paced exploration of the...
MasterThis is the support of a three-day seminar of the "European Master in InterCultural Communicat...
MasterThis is the support of a three-day seminar of the "European Master in InterCultural Communicat...
China is one of the most ambitious and controversial projects of Antonioni. Filmed in 1972, in full ...
Italy was a vibrant centre of video art production and exhibition throughout the 1970s and 1980s. Th...
States of trance and spirit possession have inspired the modernist imagination perhaps more than any...
Michelangelo Pistoletto a créé des dispositifs picturaux et spatiaux, des installations, des œuvres,...
The role of amateur footage in archiving and documenting the past has only been recently acknowledge...
Italy was a vibrant centre of Video Art production and exhibition throughout the 1970s and 1980s. Th...
This work unfolds delineating the typology of self-portrait videos to the extent available through t...
This thesis considers representations of time in cinema in the work of Michelangelo Antonioni and Am...