<p><b>A</b>. Pattern of responses. Each dot corresponds to one trial of one participant, where the axes denote the frequencies of the 2 tones in the trial: the abscissa is the frequency of the 1<sup>st</sup> tone, , and the ordinate is the frequency of the 2<sup>nd</sup> tone, , both on a logarithmic scale. The color of the dot denotes the outcome of the trial: correct responses are denoted by blue and incorrect responses by red. The vertical and horizontal lines correspond to the lines in which and , respectively. The diagonal line corresponds to the line in which . These lines partition the space into different regions, denoted using a different background color. The numbers in each region denote the fraction of correct responses in the...
<p>Psychophysical (open symbols) and model (closed symbols) direction discrimination performances ar...
<p>a. Pairs of auditory and visual stimuli presented in synesthetically congruent (top) and incongru...
<p>(A) Schematic representation of the stimulus design. A rhythmic sequence of pure tones (target se...
<p>(A) Top: Example of a sequence in a perceptually regular environment with the final stimulus earl...
<p>(A) In the graph the percentage of correct responses obtained in the training session (x) and in ...
<p>The dashed line represents chance level, which was 50% for both tasks. The left panels (a, c) sho...
<p><b>A:</b> net rate of correct answer (y-axis) is shown as a function of species (x-axis) and oppo...
<p>In A, B, and C behavioral data for N = 10 subjects are represented in dashed red lines with the r...
<p>Box plots illustrate the mean proportion of correct responses for the 2AFC task during the adapti...
(a) Schematic outline of a single trial for the psychophysical experiments. For each experiment, hum...
<p>Performance of the model (proportion correct responses) as a function of binocular correlation. A...
<p>(a) Proportion of trials on which the higher-valued tile was chosen, as a function of trial numbe...
<p>(A) The search stimulus in the near-cardinal target, 80° (left) and the oblique target, 50° (righ...
<p>Significant results are in bold.</p><p>Individuals' performance on the first choice of each sessi...
<p>(<b>a</b>) Accuracy was lower in trials with novel sounds in comparison to those with standard so...
<p>Psychophysical (open symbols) and model (closed symbols) direction discrimination performances ar...
<p>a. Pairs of auditory and visual stimuli presented in synesthetically congruent (top) and incongru...
<p>(A) Schematic representation of the stimulus design. A rhythmic sequence of pure tones (target se...
<p>(A) Top: Example of a sequence in a perceptually regular environment with the final stimulus earl...
<p>(A) In the graph the percentage of correct responses obtained in the training session (x) and in ...
<p>The dashed line represents chance level, which was 50% for both tasks. The left panels (a, c) sho...
<p><b>A:</b> net rate of correct answer (y-axis) is shown as a function of species (x-axis) and oppo...
<p>In A, B, and C behavioral data for N = 10 subjects are represented in dashed red lines with the r...
<p>Box plots illustrate the mean proportion of correct responses for the 2AFC task during the adapti...
(a) Schematic outline of a single trial for the psychophysical experiments. For each experiment, hum...
<p>Performance of the model (proportion correct responses) as a function of binocular correlation. A...
<p>(a) Proportion of trials on which the higher-valued tile was chosen, as a function of trial numbe...
<p>(A) The search stimulus in the near-cardinal target, 80° (left) and the oblique target, 50° (righ...
<p>Significant results are in bold.</p><p>Individuals' performance on the first choice of each sessi...
<p>(<b>a</b>) Accuracy was lower in trials with novel sounds in comparison to those with standard so...
<p>Psychophysical (open symbols) and model (closed symbols) direction discrimination performances ar...
<p>a. Pairs of auditory and visual stimuli presented in synesthetically congruent (top) and incongru...
<p>(A) Schematic representation of the stimulus design. A rhythmic sequence of pure tones (target se...