<p>On the x- and y-axis, time and frequency are indicated. Black bars represent individual tones (duration = 500 ms). Blocks of noisy and silent backgrounds were presented alternately. Each block consisted of ten trains of four tones in random sequencing and ten trains of four tones of constant sequencing that were randomly distributed across the whole block.</p
<p>The signal distribution scheme (top), signal generation protocol (bottom left), and training time...
The blue dot represents the true location of activation and the peaks of the 3 activated studies are...
<p>Target tones, indicated in red color, were either higher in frequency or longer in duration. The ...
<p>In the <i>streaming condition</i> (Panel A), the two target tones (standard and standard-plus-inc...
<p>The figure illustrates the time course (x-axis) of the stimulation, and the frequency spectra (y-...
<p>Schematic drawing of the five masker types (grey) in the two frequency regions used in the experi...
<p>Schematical representation of the auditory stimulation design. The entire paradigm was repeated 6...
<p>This figure shows a representative schematic of the stimulus presentation scheme including mean l...
<p>The x-axis shows the time in ms related to stimulus onset. On the y-axis source strength in nAm i...
<p>A continuous stream of unisensory visual (V), auditory (A), and tactile (T), bisensory VA, VT, VA...
<p>(A) shows the setup for the experiments. Participants sit in front of a monitor with loudspeakers...
<p>A schematic representation of the two types of melodies used in Experiment 1 plotted against time...
<p>Schematics of the stimulus sequences in the three main conditions (veridical-rabbit, illusory-rab...
<p>A: stationary flash stimulus, duration of the presentation of the bright (ON) and the dark (OFF) ...
<p>A schematic diagram illustrating the process of generating the stimuli; basic half-bar rhythm-com...
<p>The signal distribution scheme (top), signal generation protocol (bottom left), and training time...
The blue dot represents the true location of activation and the peaks of the 3 activated studies are...
<p>Target tones, indicated in red color, were either higher in frequency or longer in duration. The ...
<p>In the <i>streaming condition</i> (Panel A), the two target tones (standard and standard-plus-inc...
<p>The figure illustrates the time course (x-axis) of the stimulation, and the frequency spectra (y-...
<p>Schematic drawing of the five masker types (grey) in the two frequency regions used in the experi...
<p>Schematical representation of the auditory stimulation design. The entire paradigm was repeated 6...
<p>This figure shows a representative schematic of the stimulus presentation scheme including mean l...
<p>The x-axis shows the time in ms related to stimulus onset. On the y-axis source strength in nAm i...
<p>A continuous stream of unisensory visual (V), auditory (A), and tactile (T), bisensory VA, VT, VA...
<p>(A) shows the setup for the experiments. Participants sit in front of a monitor with loudspeakers...
<p>A schematic representation of the two types of melodies used in Experiment 1 plotted against time...
<p>Schematics of the stimulus sequences in the three main conditions (veridical-rabbit, illusory-rab...
<p>A: stationary flash stimulus, duration of the presentation of the bright (ON) and the dark (OFF) ...
<p>A schematic diagram illustrating the process of generating the stimuli; basic half-bar rhythm-com...
<p>The signal distribution scheme (top), signal generation protocol (bottom left), and training time...
The blue dot represents the true location of activation and the peaks of the 3 activated studies are...
<p>Target tones, indicated in red color, were either higher in frequency or longer in duration. The ...