<p>In deviant sequences one note at a random position (large dot) was shifted one tone up or down, unless this would be the same pitch as a neighbouring tone. Time and pitch are indicated on arbitrary scales.</p
Available from British Library Document Supply Centre-DSC:DXN041445 / BLDSC - British Library Docume...
<p>Participants each heard four sequences consisting of two feature-present sequences and two featur...
<p>(A) ball has been transposed ½ octave down (re: baseline stimulus) in frequency, (B) shifted ½ oc...
<p>Patterns were constructed individually from four, six or eight different tones, respectively, and...
<p>(A) Oddball paradigm. Tones (A and B) used for standard (s) and deviant (d) were alternated in Bl...
<p>In the SSI<sup>200</sup>/SDI<sup>200</sup> and SSI<sup>500</sup>/SDI<sup>500</sup>-conditions, th...
<p>(<b><i>A</i></b>) <i>Top plots</i>: Examples of a quarter (1/4) note sequence (<i>left</i>) and a...
In an experiment on the effect of intensity accents on the perception of time intervals between tone...
<p>The A5 note was either replaced by a E6 tone (light grey note) or a B6 tone (dark grey note). Pan...
In the congruent condition, all the tones are members of the musical scale while in the incongruent ...
<p>The A5 note was ocassionally replaced by a deviant E6 tone (light grey note). Panel A depicts the...
<p>The deviants were F#5 (i.e., a small deviation from the replaced tone and an unexpected sequence-...
Eight sustained musical instrument sounds were randomly altered by a time-invariant process to deter...
The JND for a perturbation of the timin<g of a tone appearing in a metrical sequencewas examined ...
Eight sustained musical instrument sounds were randomly altered by a time-invariant process to deter...
Available from British Library Document Supply Centre-DSC:DXN041445 / BLDSC - British Library Docume...
<p>Participants each heard four sequences consisting of two feature-present sequences and two featur...
<p>(A) ball has been transposed ½ octave down (re: baseline stimulus) in frequency, (B) shifted ½ oc...
<p>Patterns were constructed individually from four, six or eight different tones, respectively, and...
<p>(A) Oddball paradigm. Tones (A and B) used for standard (s) and deviant (d) were alternated in Bl...
<p>In the SSI<sup>200</sup>/SDI<sup>200</sup> and SSI<sup>500</sup>/SDI<sup>500</sup>-conditions, th...
<p>(<b><i>A</i></b>) <i>Top plots</i>: Examples of a quarter (1/4) note sequence (<i>left</i>) and a...
In an experiment on the effect of intensity accents on the perception of time intervals between tone...
<p>The A5 note was either replaced by a E6 tone (light grey note) or a B6 tone (dark grey note). Pan...
In the congruent condition, all the tones are members of the musical scale while in the incongruent ...
<p>The A5 note was ocassionally replaced by a deviant E6 tone (light grey note). Panel A depicts the...
<p>The deviants were F#5 (i.e., a small deviation from the replaced tone and an unexpected sequence-...
Eight sustained musical instrument sounds were randomly altered by a time-invariant process to deter...
The JND for a perturbation of the timin<g of a tone appearing in a metrical sequencewas examined ...
Eight sustained musical instrument sounds were randomly altered by a time-invariant process to deter...
Available from British Library Document Supply Centre-DSC:DXN041445 / BLDSC - British Library Docume...
<p>Participants each heard four sequences consisting of two feature-present sequences and two featur...
<p>(A) ball has been transposed ½ octave down (re: baseline stimulus) in frequency, (B) shifted ½ oc...