<p>Panel A shows the events on each trial, which began with a blank screen for 1000 ms. Participants judged whether the second image was shown for more or less time than the first. On repeat trials, the images were identical; on novel trials the images were different. Panel B shows the results. The point of subjective equality (PSE) was greater for repeated stimuli, indicating shorter subjective duration; repetition produced no discernible effect on the difference limen (DL), a measure of temporal discrimination. Error bars show plus/minus one SEM, calculated separately for each data point. Note that for a within-subject design such as this, these error bars provide no indication of the significance of differences between conditions <a href...
<p>(a) An example of a change trial in the retro-cue condition (top panel), simultaneous-cue conditi...
a, b, c) Experiment 1 Training results generally reflect direct CS/US associations, 1st-order positi...
<p>A. Stimuli consisted of four disconnected bars arranged in a square shape whose contrast was modu...
<p>Panel A shows the results of Experiment 3A, which used category judgment. Novel stimuli were judg...
<p>Data for all plots were collapsed across subjects, presentation modality, and spatiotemporal conf...
<p>Mean temporal productions were longer for novel stimuli, which would usually be taken to indicate...
<p>a: Percent “longer” responses across stimulus durations around 1 s with a symmetric oddball place...
<p>(<b>A</b>) Experimental time-line, here was the same as that in experiment one and two, with the ...
<p>A) All stimuli in a trial were presented to the same quadrant of the visual field. Participants h...
<p>a: Percent “longer” responses across stimulus durations around 1 s with an asymmetric oddball pla...
<p>(A) Top: Example of a sequence in a perceptually regular environment with the final stimulus earl...
<p>Discrimination performance (DL, upper panel) and subjective duration (PSE, lower panel) compared ...
<p>Panel A: the proportion of “far” responses for the two stimuli conditions (visual vs. audio-visua...
<p>Panel A: Timeline of experimental procedures. The onset of the first stressor is defined as the a...
<p>A) Timeline of the experimental paradigm; B) Percentage of accurate responses and standard errors...
<p>(a) An example of a change trial in the retro-cue condition (top panel), simultaneous-cue conditi...
a, b, c) Experiment 1 Training results generally reflect direct CS/US associations, 1st-order positi...
<p>A. Stimuli consisted of four disconnected bars arranged in a square shape whose contrast was modu...
<p>Panel A shows the results of Experiment 3A, which used category judgment. Novel stimuli were judg...
<p>Data for all plots were collapsed across subjects, presentation modality, and spatiotemporal conf...
<p>Mean temporal productions were longer for novel stimuli, which would usually be taken to indicate...
<p>a: Percent “longer” responses across stimulus durations around 1 s with a symmetric oddball place...
<p>(<b>A</b>) Experimental time-line, here was the same as that in experiment one and two, with the ...
<p>A) All stimuli in a trial were presented to the same quadrant of the visual field. Participants h...
<p>a: Percent “longer” responses across stimulus durations around 1 s with an asymmetric oddball pla...
<p>(A) Top: Example of a sequence in a perceptually regular environment with the final stimulus earl...
<p>Discrimination performance (DL, upper panel) and subjective duration (PSE, lower panel) compared ...
<p>Panel A: the proportion of “far” responses for the two stimuli conditions (visual vs. audio-visua...
<p>Panel A: Timeline of experimental procedures. The onset of the first stressor is defined as the a...
<p>A) Timeline of the experimental paradigm; B) Percentage of accurate responses and standard errors...
<p>(a) An example of a change trial in the retro-cue condition (top panel), simultaneous-cue conditi...
a, b, c) Experiment 1 Training results generally reflect direct CS/US associations, 1st-order positi...
<p>A. Stimuli consisted of four disconnected bars arranged in a square shape whose contrast was modu...