This is the transcript for the video "A Language for Movement" (1996) which is part of an Open University series entitled "Seeing through Mathematics". The 25 minute programme shows how notation can help the recording and reconstruction of dances. It focuses in particular on the work of Rudolf Laban and his system of notation known as Labanotation and how we can enjoy nowadays Nijinsky's ballet Afternoon of a Faun thanks to a notational score. Examples of other notational systems for movement and dance are also discussed. The video includes archive material, dancing and interviews with leading notators. There is a link to the video in this repository.
Labanotation is a system of dance notation with a history of use stretching from the late 19th centu...
Labanotation is a system of dance notation with a history of use stretching from the late 19th centu...
This article raises the issue of collaboration between the field of dance and that of robotics. Danc...
This is the transcript for the video "A Language for Movement" (1996) which is part of an Open Unive...
"A Language for Movement" (1996) is part of an Open University series entitled "Seeing through Mathe...
This paper describes how a universal language for notating dance and, more generally, movement was e...
Labanotation, a dance notation system first introduced by Rudolf von Laban in 1928, has been broadly...
Despite having existed since the late 1500’s dance notation has not taken off in the public sphere, ...
In Motion and Representation, Nicolás Salazar Sutil considers the representation of human motion thr...
Dance notation systems, like music notes, enable documentation of symbolic representations of moveme...
Over the last four decades of contemporary percussion literature, the inclusion of somatic gesture i...
My thesis concerns the use of language to notate movement from the 1950s to 1980s. During this perio...
How and why to write a movement? Who is the writer? Who is the reader? They may be choreographers wo...
Most of us are familiar with music notations. Dance notations, on the other hand, have not gained wi...
It can be stated that dance notation was proved to be an established tool for dance research and dan...
Labanotation is a system of dance notation with a history of use stretching from the late 19th centu...
Labanotation is a system of dance notation with a history of use stretching from the late 19th centu...
This article raises the issue of collaboration between the field of dance and that of robotics. Danc...
This is the transcript for the video "A Language for Movement" (1996) which is part of an Open Unive...
"A Language for Movement" (1996) is part of an Open University series entitled "Seeing through Mathe...
This paper describes how a universal language for notating dance and, more generally, movement was e...
Labanotation, a dance notation system first introduced by Rudolf von Laban in 1928, has been broadly...
Despite having existed since the late 1500’s dance notation has not taken off in the public sphere, ...
In Motion and Representation, Nicolás Salazar Sutil considers the representation of human motion thr...
Dance notation systems, like music notes, enable documentation of symbolic representations of moveme...
Over the last four decades of contemporary percussion literature, the inclusion of somatic gesture i...
My thesis concerns the use of language to notate movement from the 1950s to 1980s. During this perio...
How and why to write a movement? Who is the writer? Who is the reader? They may be choreographers wo...
Most of us are familiar with music notations. Dance notations, on the other hand, have not gained wi...
It can be stated that dance notation was proved to be an established tool for dance research and dan...
Labanotation is a system of dance notation with a history of use stretching from the late 19th centu...
Labanotation is a system of dance notation with a history of use stretching from the late 19th centu...
This article raises the issue of collaboration between the field of dance and that of robotics. Danc...