To be intelligible to his age, a playwright must mirror and reflect the feelings and thoughts of the age, and Marlowe is no exception. How did Marlowe help shape Elizabethan myth through his imaginative use of myth in his dramas? How did he use Renaissance myths as the bases for his tragic conflicts? Two points of view are considered in this examination of myth in Marlowe\u27s dramas: (1) the nature or the myth; (2) the structural importance of the myt
Marlowe and the Popular Tradition turns away from popular stereotypes to consider Marlowe as a popul...
Starting from the fictional interaction between Will Shakespeare and Kit Marlowe, characters o...
This project takes a critical look at the existing research for and against the concept of Marlovia...
457 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2005.Chapter One traces the creati...
In 1587, Christopher Marlowe introduced a new approach to theatre in Ta mburlaine the Great and refo...
«A cobbler’s son», self-taught in the dramatic art, thus is Marlowe described by a long-standing lor...
The reception of Marlowe has often been marred by a vicious hermeneutic circle within which the play...
This thesis is divided into four main sections as outlined in the following paragraphs. After a bri...
In this paper, I shall be trying to investigate the nature of the English Renaissance drama through ...
This thesis is the first sustained study of Christopher Marlowe’s strategic handling of medieval lit...
Focusing on the works of Christopher Marlowe (1564-93), this thesis explores the complex engagement ...
Christopher Marlow still remains a largely undefined dramatist in the twentieth century. Scholarship...
In this thesis I hope to show how the volume or nature of Marlowe criticism has been influenced by t...
My subject is the relationship between rhetoric and the range of possible reaction to Marlowe\u27s p...
The reception of Marlowe has often been marred by a vicious hermeneutic circle within which the play...
Marlowe and the Popular Tradition turns away from popular stereotypes to consider Marlowe as a popul...
Starting from the fictional interaction between Will Shakespeare and Kit Marlowe, characters o...
This project takes a critical look at the existing research for and against the concept of Marlovia...
457 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2005.Chapter One traces the creati...
In 1587, Christopher Marlowe introduced a new approach to theatre in Ta mburlaine the Great and refo...
«A cobbler’s son», self-taught in the dramatic art, thus is Marlowe described by a long-standing lor...
The reception of Marlowe has often been marred by a vicious hermeneutic circle within which the play...
This thesis is divided into four main sections as outlined in the following paragraphs. After a bri...
In this paper, I shall be trying to investigate the nature of the English Renaissance drama through ...
This thesis is the first sustained study of Christopher Marlowe’s strategic handling of medieval lit...
Focusing on the works of Christopher Marlowe (1564-93), this thesis explores the complex engagement ...
Christopher Marlow still remains a largely undefined dramatist in the twentieth century. Scholarship...
In this thesis I hope to show how the volume or nature of Marlowe criticism has been influenced by t...
My subject is the relationship between rhetoric and the range of possible reaction to Marlowe\u27s p...
The reception of Marlowe has often been marred by a vicious hermeneutic circle within which the play...
Marlowe and the Popular Tradition turns away from popular stereotypes to consider Marlowe as a popul...
Starting from the fictional interaction between Will Shakespeare and Kit Marlowe, characters o...
This project takes a critical look at the existing research for and against the concept of Marlovia...