International audienceTouch user interfaces such as touchpad or pen tablet are often used for continuous pitch control in synthesis devices. Usually, pitch is set at the contact point on the interface, thus introducing possible pitch inaccuracies at the note onset. This paper proposes a new algorithm, based on an adaptive attraction mapping, for improving initial pitch accuracy with touch user interfaces with continuous control. At each new contact on the interface, the algorithm adjusts the mapping to produce the most likely targeted note of the scale in the vicinity of the contact point. Then, pitch remains continuously adjustable as long as the contact is maintained, allowing for vibrato, portamento and other subtle melodic control. The ...
In this paper, we present a pitch space based musical interface approach. A pitch space arranges ton...
Capacitive touch sensing is increasingly used in musical con-trollers, particularly those based on m...
In this paper, we present a pitch space based musical interface approach. A pitch space arranges ton...
Touch user interfaces such as touchpad or pen tablet are often used forcontinuous pitch control in s...
An experiment with trained musicians was conducted to investigate how finger pushing and pulling ges...
Haptic technology, providing force cues and creating a pro-grammable physical instrument interface, ...
ABSTRACT Mobile music applications are typically quite limiting to musicians, as they either attempt...
International audienceThe purpose of pitch correction is to assist a musician in playing notes with ...
This paper describes a novel music control sensate surface, which enables integration between any mu...
This paper addresses the issue of controlling monodic pitch in digital musical instruments (DMIs), w...
Vocal musical performances may be captured and continuously pitch-corrected at a mobile device for m...
Mapping between musical interfaces, and sound engines, is integral to the nature of an interface [3]...
iAbstract This thesis presents an in-depth examination of musical mapping in two dimensions. Music h...
We present the prototype of a hybrid instrument, which uses two contact microphones to sonify the ge...
The development of musical interfaces has moved from static to malleable, where the interaction mode...
In this paper, we present a pitch space based musical interface approach. A pitch space arranges ton...
Capacitive touch sensing is increasingly used in musical con-trollers, particularly those based on m...
In this paper, we present a pitch space based musical interface approach. A pitch space arranges ton...
Touch user interfaces such as touchpad or pen tablet are often used forcontinuous pitch control in s...
An experiment with trained musicians was conducted to investigate how finger pushing and pulling ges...
Haptic technology, providing force cues and creating a pro-grammable physical instrument interface, ...
ABSTRACT Mobile music applications are typically quite limiting to musicians, as they either attempt...
International audienceThe purpose of pitch correction is to assist a musician in playing notes with ...
This paper describes a novel music control sensate surface, which enables integration between any mu...
This paper addresses the issue of controlling monodic pitch in digital musical instruments (DMIs), w...
Vocal musical performances may be captured and continuously pitch-corrected at a mobile device for m...
Mapping between musical interfaces, and sound engines, is integral to the nature of an interface [3]...
iAbstract This thesis presents an in-depth examination of musical mapping in two dimensions. Music h...
We present the prototype of a hybrid instrument, which uses two contact microphones to sonify the ge...
The development of musical interfaces has moved from static to malleable, where the interaction mode...
In this paper, we present a pitch space based musical interface approach. A pitch space arranges ton...
Capacitive touch sensing is increasingly used in musical con-trollers, particularly those based on m...
In this paper, we present a pitch space based musical interface approach. A pitch space arranges ton...