This chapter considers “passion” as an enthusiastic orientation to work within creative worlds: work motivated by intense attachments to the products of work and their conditions of production. Drawing on Luc Boltanski’s pragmatic sociology of critique and justification, the chapter argues that the passionate lens most usefully trains our sights on normative questions: not what or how – but why such work is undertaken. Embedded in research on cultural and creative industries, the contemporary recorded music sector is presented as a “passionate” industry in transformation. Interviews with workers, who both criticize and defend their industry, act as a springboard to explore three possible interpretive approaches: affirmative, critical and pr...
This volume may be viewed as an attempt to reclaim music making and leisure as a serious concern for...
The production of recordings is examined from a social production perspective. It is argued that "co...
The paper argues that two sets of claims can be identified across the literatures - the first that c...
This chapter considers “passion” as an enthusiastic orientation to work within creative worlds: work...
Creative work is thought to offer a model for the future of all work as we move into a knowledge eco...
Creative work is thought to offer a model for the future of all work as we move into a knowledge eco...
This dissertation examines the relationship between occupational roles, and creativity, uncertainty,...
For contemporary cultural policy, ‘non-creative’ work continues to form a conceptual blindspot: a fo...
For contemporary cultural policy, “non-creative” work continues to form a conceptual blindspot: a fo...
How can we understand contradictory identifications within work to which one is passionately attache...
Differences and similarities in the creative agency of the producerin the production process of urba...
This article examines articulations of the role of passion in accounts of the life and work of the s...
International audienceWorkers in cultural industries often express that they are passionate about th...
This article analyses the lived experience of writers and musicians in order to examine the relation...
Purpose This paper explores the spatial and material context of a creative production project. Taki...
This volume may be viewed as an attempt to reclaim music making and leisure as a serious concern for...
The production of recordings is examined from a social production perspective. It is argued that "co...
The paper argues that two sets of claims can be identified across the literatures - the first that c...
This chapter considers “passion” as an enthusiastic orientation to work within creative worlds: work...
Creative work is thought to offer a model for the future of all work as we move into a knowledge eco...
Creative work is thought to offer a model for the future of all work as we move into a knowledge eco...
This dissertation examines the relationship between occupational roles, and creativity, uncertainty,...
For contemporary cultural policy, ‘non-creative’ work continues to form a conceptual blindspot: a fo...
For contemporary cultural policy, “non-creative” work continues to form a conceptual blindspot: a fo...
How can we understand contradictory identifications within work to which one is passionately attache...
Differences and similarities in the creative agency of the producerin the production process of urba...
This article examines articulations of the role of passion in accounts of the life and work of the s...
International audienceWorkers in cultural industries often express that they are passionate about th...
This article analyses the lived experience of writers and musicians in order to examine the relation...
Purpose This paper explores the spatial and material context of a creative production project. Taki...
This volume may be viewed as an attempt to reclaim music making and leisure as a serious concern for...
The production of recordings is examined from a social production perspective. It is argued that "co...
The paper argues that two sets of claims can be identified across the literatures - the first that c...