The Iranian artist Shirin Neshat has been living in self-imposed exile since the late 1970s, as she chose not to return to her home country following the ‘79 Islamic Revolution. Through her works Neshat examines Iran before and after the revolution and follows political and civil transformations through strong photographs of women in her country of birth. My own use of the term exile deals with the analysis of the state of exile in relation to artistic work as a globalized and underlying motivation for art and artists. The new definition of exile is analyzed in relation with the artist’s photographs and the verbal and visual statements. The verbal and visual photographs in the work of Neshat are related to the term exile through different ...
This catalogue documents a solo exhibition of Iranian-born artist Neshat, whose work focuses mainly ...
Die Diplomarbeit mit dem Titel"?Women Without Men. Die filmische Umsetzung literarischer Vorlagen im...
My MRes research uses my practice (photography and video) as a tool to 'read' Iranian history with r...
The Iranian artist Shirin Neshat has been living in self-imposed exile since the late 1970s, as she ...
This dissertation examines the early artistic production of contemporary Iranian American artist, Sh...
In my dissertation I address a gap in scholarship on contemporary Iranian women by using a selection...
Shirin Neshat is Iranian-born visual artist and feminist whose works provide thought- provoking insi...
Iranian contemporary visual artist and filmmaker, Shirin Neshat gives us a unique lens into contradi...
Moore discusses the work of visual artist Shirin Neshat exhibited at the Serpentine Gallery, London,...
My research involves the artist Shirin Neshat, a contemporary Iranian performance artist. In order t...
Shirin Neshatââ¬â¢s compelling series of photographs, Unveiling (1993) and Women of Allah (1994), h...
The aim of this paper is to perform a comparative study between the photography’s of Leila Khaled an...
Iranian photography, with a long tradition, enters in a new phase with the policies promoted since 1...
Larson interprets Neshat's photographs of veiled Iranian women and Persian poetry by referring to Ga...
Beliefs and assumptions about different groups of people are shaped through the representations prov...
This catalogue documents a solo exhibition of Iranian-born artist Neshat, whose work focuses mainly ...
Die Diplomarbeit mit dem Titel"?Women Without Men. Die filmische Umsetzung literarischer Vorlagen im...
My MRes research uses my practice (photography and video) as a tool to 'read' Iranian history with r...
The Iranian artist Shirin Neshat has been living in self-imposed exile since the late 1970s, as she ...
This dissertation examines the early artistic production of contemporary Iranian American artist, Sh...
In my dissertation I address a gap in scholarship on contemporary Iranian women by using a selection...
Shirin Neshat is Iranian-born visual artist and feminist whose works provide thought- provoking insi...
Iranian contemporary visual artist and filmmaker, Shirin Neshat gives us a unique lens into contradi...
Moore discusses the work of visual artist Shirin Neshat exhibited at the Serpentine Gallery, London,...
My research involves the artist Shirin Neshat, a contemporary Iranian performance artist. In order t...
Shirin Neshatââ¬â¢s compelling series of photographs, Unveiling (1993) and Women of Allah (1994), h...
The aim of this paper is to perform a comparative study between the photography’s of Leila Khaled an...
Iranian photography, with a long tradition, enters in a new phase with the policies promoted since 1...
Larson interprets Neshat's photographs of veiled Iranian women and Persian poetry by referring to Ga...
Beliefs and assumptions about different groups of people are shaped through the representations prov...
This catalogue documents a solo exhibition of Iranian-born artist Neshat, whose work focuses mainly ...
Die Diplomarbeit mit dem Titel"?Women Without Men. Die filmische Umsetzung literarischer Vorlagen im...
My MRes research uses my practice (photography and video) as a tool to 'read' Iranian history with r...