A series of images created by 3D scanning became a starting point to write a text about our changing relationship to technology. The chapter is built on the keynote lecture 'Image Capture' delivered at Anglia Ruskin University in 2015. The writing reflects on the process of being scanned and the capturing and framing of the screen grabs used. The writing was a response to a request to think about Reproduction, Technicity and Intermediacy.The work is part of ongoing research interests which centre on exploring the affect of technology, and the ways in which our sense of embodiment are changed by such engagement. RE:PRINT brings together the work of twenty contemporary artists working in the field of expanded printmaking, to explore the r...
The paper presents a recently completed collaborative research project by Charlotte Hodes,Senior Res...
What does it take to make and what does it take to be in making in the 21st century? This paper exam...
The collaborative processes between artist/ printmaker and scientists is the subject of my proposed ...
RE:PRINT edited by Véronique Chance and Duncan Ganley, brings together the work of twenty contempora...
RE:PRINT edited by Véronique Chance and Duncan Ganley, brings together the work of twenty contempora...
RE:PRINT edited by Véronique Chance and Duncan Ganley, brings together the work of twenty contempora...
Published in 2018, ‘Re:Print’ is an experimental artists’ book, edited by Véronique Chance and Dunca...
Images: Mars Remixed and 1D from 'the world of Print' are featured in Reprint Author(s): CHANCE, ...
The exhibition and symposium mark the launch of the RE:Print International Research Project with the...
The exhibition and symposium mark the launch of the RE:Print International Research Project with the...
This exhibition and publication explores some of the current practices by artists working with print...
'Shape Shifting' delivered in the panel 'Complicating the Picture intersections of Photography with...
This article is based on a paper given at 'Hybrid Practices', a symposium held at Chelsea College of...
The intersection between our digital and aesthetic worlds is where I situate my art works: a hybrid ...
It has been suggested by a range of established commentators that digital technology may have potent...
The paper presents a recently completed collaborative research project by Charlotte Hodes,Senior Res...
What does it take to make and what does it take to be in making in the 21st century? This paper exam...
The collaborative processes between artist/ printmaker and scientists is the subject of my proposed ...
RE:PRINT edited by Véronique Chance and Duncan Ganley, brings together the work of twenty contempora...
RE:PRINT edited by Véronique Chance and Duncan Ganley, brings together the work of twenty contempora...
RE:PRINT edited by Véronique Chance and Duncan Ganley, brings together the work of twenty contempora...
Published in 2018, ‘Re:Print’ is an experimental artists’ book, edited by Véronique Chance and Dunca...
Images: Mars Remixed and 1D from 'the world of Print' are featured in Reprint Author(s): CHANCE, ...
The exhibition and symposium mark the launch of the RE:Print International Research Project with the...
The exhibition and symposium mark the launch of the RE:Print International Research Project with the...
This exhibition and publication explores some of the current practices by artists working with print...
'Shape Shifting' delivered in the panel 'Complicating the Picture intersections of Photography with...
This article is based on a paper given at 'Hybrid Practices', a symposium held at Chelsea College of...
The intersection between our digital and aesthetic worlds is where I situate my art works: a hybrid ...
It has been suggested by a range of established commentators that digital technology may have potent...
The paper presents a recently completed collaborative research project by Charlotte Hodes,Senior Res...
What does it take to make and what does it take to be in making in the 21st century? This paper exam...
The collaborative processes between artist/ printmaker and scientists is the subject of my proposed ...