The question of whether or not art is essentially a representation of reality has long been a bone of contention among philosophers of art – especially in the major branch of that discipline called the analytic philosophy of art, or analytic aesthetics. This paper argues that art - visual art, literature or music - is never essentially representation. The argument is based on the thinking of André Malraux in "The Voices of Silence"
Never in history was art more present everywhere and never was it more valuable. Yet, in the wake of...
In the following paper I’ll try to explain how aesthetic experiences cannot be utterly defined throu...
At the intersection of aesthetics and the philosophy of perception lies a problem about representati...
The question of whether or not art is essentially a representation of reality has long been a bone o...
the Mona Lisa, the Mondscheinsonate, the Chanson d’automne are works of art, the salt shaker on your...
In this paper I will try to trace a discussion about status of art in some recent theories, which pa...
Representation is a broad umbrella that covers different disciplines such as design, the arts, archi...
Representation is a broad umbrella that covers different disciplines such as design, the arts, archi...
So the central question here is phenomenological: What is the nature of the aesthetic zap? For it is...
Interested in art, we tend to be interested in works of art. We seem to encounter works of art all t...
The subject of representation in the arts is as old as art itself. Is the acknowledgement of what a...
Donald Preziosi, an influential modern voice in art history, argues that his discipline has ...
In this paper, I present the beginnings of a resemblance theory of representation. I start by survey...
The problem presented in this thesis concerns the prevailing neglect by critics and art historians o...
Never in history was art more present everywhere and never was it more valuable. Yet, in the wake of...
In the following paper I’ll try to explain how aesthetic experiences cannot be utterly defined throu...
At the intersection of aesthetics and the philosophy of perception lies a problem about representati...
The question of whether or not art is essentially a representation of reality has long been a bone o...
the Mona Lisa, the Mondscheinsonate, the Chanson d’automne are works of art, the salt shaker on your...
In this paper I will try to trace a discussion about status of art in some recent theories, which pa...
Representation is a broad umbrella that covers different disciplines such as design, the arts, archi...
Representation is a broad umbrella that covers different disciplines such as design, the arts, archi...
So the central question here is phenomenological: What is the nature of the aesthetic zap? For it is...
Interested in art, we tend to be interested in works of art. We seem to encounter works of art all t...
The subject of representation in the arts is as old as art itself. Is the acknowledgement of what a...
Donald Preziosi, an influential modern voice in art history, argues that his discipline has ...
In this paper, I present the beginnings of a resemblance theory of representation. I start by survey...
The problem presented in this thesis concerns the prevailing neglect by critics and art historians o...
Never in history was art more present everywhere and never was it more valuable. Yet, in the wake of...
In the following paper I’ll try to explain how aesthetic experiences cannot be utterly defined throu...
At the intersection of aesthetics and the philosophy of perception lies a problem about representati...