I argue that the physical marks on a canvas resulting from an artist's intentional, stylistic and expressive acts cannot themselves be the artist's expression, but instead they serve to signify or indicate those acts. Thus there is a kind of indicative content associated with a picture that is distinct from its subject matter (or 'representational content'). I also argue that this kind of indicative content is closely associated with the specific artistic medium chosen by the artist as her expressive medium, for which reason I call this kind of content medium content (or medium-related content)
Because of the use of textural effects -- I feel that my paintings are strong ones. The paintings ne...
Artists often think of themselves as engaged in a project of understanding things. Many of those who...
Art has become more accommodating of the human experience in the various fields of objective science...
I argue that the physical marks on a canvas resulting from an artist's intentional, stylistic and ex...
I argue that the physical marks on a canvas resulting from an artist's intentional, stylistic and ex...
Since artistic production is evidently an act of ‘formation' in some sense or other, the problem of ...
The classical theory of the value of pictorial representation used to be expressed – from the perspe...
Medium specificity is a theory, or rather a cluster of arguments, in aesthetics that rests on the id...
In nowadays' explosion of technologies and mediums of communication, there is a recurrence of the pa...
Pictures are a presentation whose structure is decomposable into a surface, an arrangement of markin...
Through the development of a series of object/paintings (Paintjects), this thesis examines processes...
This research will trace changes in approaches to pictorial space, image surface and materiality fro...
The perception of art is a complex and multi-layered phenomenon. One obvious aspect in perceiving an...
'What is the desire of the medium?' is both a rhetorical question and a fundamental one. The rhetori...
Abstract Representational and nonrepresentational (abstract) artists exhibit differ-ent conceptual p...
Because of the use of textural effects -- I feel that my paintings are strong ones. The paintings ne...
Artists often think of themselves as engaged in a project of understanding things. Many of those who...
Art has become more accommodating of the human experience in the various fields of objective science...
I argue that the physical marks on a canvas resulting from an artist's intentional, stylistic and ex...
I argue that the physical marks on a canvas resulting from an artist's intentional, stylistic and ex...
Since artistic production is evidently an act of ‘formation' in some sense or other, the problem of ...
The classical theory of the value of pictorial representation used to be expressed – from the perspe...
Medium specificity is a theory, or rather a cluster of arguments, in aesthetics that rests on the id...
In nowadays' explosion of technologies and mediums of communication, there is a recurrence of the pa...
Pictures are a presentation whose structure is decomposable into a surface, an arrangement of markin...
Through the development of a series of object/paintings (Paintjects), this thesis examines processes...
This research will trace changes in approaches to pictorial space, image surface and materiality fro...
The perception of art is a complex and multi-layered phenomenon. One obvious aspect in perceiving an...
'What is the desire of the medium?' is both a rhetorical question and a fundamental one. The rhetori...
Abstract Representational and nonrepresentational (abstract) artists exhibit differ-ent conceptual p...
Because of the use of textural effects -- I feel that my paintings are strong ones. The paintings ne...
Artists often think of themselves as engaged in a project of understanding things. Many of those who...
Art has become more accommodating of the human experience in the various fields of objective science...