Add to ORKGReviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New York: Bloomsbury, 2014. 284pp. Katalin TRENCSÉNYI and Bernadette COCHRANE (eds.). New Dramaturgy: International Perspectives on Theory and Practice. London and New York: Bloomsbury, 2014. 275pp. Katalin TRENCSÉNYI, Dramaturgy in the Making: A User’s Guide for Theatre Practitioners. London and New York: Bloomsbury, 2015. 326pp
At the centre of David Worrall’s Theatric Revolution a striking tableau is unveiled. It is around 18...
At the centre of David Worrall’s Theatric Revolution a striking tableau is unveiled. It is around 18...
Even as interest in feminist theory and criticism in theatre and performance studies continues to wa...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Two Books on Translation for the StageA book review of: ADAPTING TRANSLATION FOR THE STAGE. EDITED B...
Adaptation constitutes the driving force of contemporary culture, with stories adapted across an arr...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Book review: Acting Shakespeare’s language, by Andy Hinds. London: Oberon Books Ltd, 2015; ISBN: 97...
Book review of: All work and no plays: blueprints for 9 theatre performances by Ontroerend Goed, by ...
At the centre of David Worrall’s Theatric Revolution a striking tableau is unveiled. It is around 18...
At the centre of David Worrall’s Theatric Revolution a striking tableau is unveiled. It is around 18...
At the centre of David Worrall’s Theatric Revolution a striking tableau is unveiled. It is around 18...
Even as interest in feminist theory and criticism in theatre and performance studies continues to wa...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Two Books on Translation for the StageA book review of: ADAPTING TRANSLATION FOR THE STAGE. EDITED B...
Adaptation constitutes the driving force of contemporary culture, with stories adapted across an arr...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Book review: Acting Shakespeare’s language, by Andy Hinds. London: Oberon Books Ltd, 2015; ISBN: 97...
Book review of: All work and no plays: blueprints for 9 theatre performances by Ontroerend Goed, by ...
At the centre of David Worrall’s Theatric Revolution a striking tableau is unveiled. It is around 18...
At the centre of David Worrall’s Theatric Revolution a striking tableau is unveiled. It is around 18...
At the centre of David Worrall’s Theatric Revolution a striking tableau is unveiled. It is around 18...
Even as interest in feminist theory and criticism in theatre and performance studies continues to wa...