Add to ORKGThe anonymous Mucedorus (first printed in 1598) was one of the most popular Elizabethan plays. In 1610, the third, reworked edition was published after the play had been performed by Shakespeare's company, the King's Men. This article tries to reconstruct the Shakespearean context of the play; Shakespeare's impact on Mucedorus (first published in 1598) might have been a mere inspiration, or possibly might have bordered on collaboration
Ten radically altered versions of Shakespeare’s plays appeared on stage between 1678 and 1682, partl...
The article aims to show and analyse how initial, tentative idolatory attitudes towards Shakespeare,...
Shakespeare’s works remain a reference when artists — either playwrights or stage professionals — ai...
The anonymous Mucedorus (first printed in 1598) was one of the most popular Elizabethan plays. In 16...
This article argues that two seemingly contradictory factors contributed to and sustained the succes...
This article engages with one of the current critical and bibliographical concerns of Shakespeare st...
textIf Shakespeare contributed the additions to the 1602 edition of Thomas Kyd's The Spanish tragedy...
While Shakespeare may have written solely for the stage, his text has been configured and transforme...
This article is an offshoot of work towards an edition of Bel-vedére or The Garden of the Muses, a p...
This article engages with one of the current critical and bibliographical concerns of Shakespeare st...
International audienceThis article examines the new copy of the First Folio (1623) discovered in Nov...
This article discusses the control and regulation of playhouses during Shakespeare's career; The Boo...
In 1598, Shakespeare's name first appeared-unambiguously-on the title pages of printed playbooks, wi...
Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of hi...
This article is an offshoot of work towards an edition of Bel-vedére or The Garden of the Muses, a p...
Ten radically altered versions of Shakespeare’s plays appeared on stage between 1678 and 1682, partl...
The article aims to show and analyse how initial, tentative idolatory attitudes towards Shakespeare,...
Shakespeare’s works remain a reference when artists — either playwrights or stage professionals — ai...
The anonymous Mucedorus (first printed in 1598) was one of the most popular Elizabethan plays. In 16...
This article argues that two seemingly contradictory factors contributed to and sustained the succes...
This article engages with one of the current critical and bibliographical concerns of Shakespeare st...
textIf Shakespeare contributed the additions to the 1602 edition of Thomas Kyd's The Spanish tragedy...
While Shakespeare may have written solely for the stage, his text has been configured and transforme...
This article is an offshoot of work towards an edition of Bel-vedére or The Garden of the Muses, a p...
This article engages with one of the current critical and bibliographical concerns of Shakespeare st...
International audienceThis article examines the new copy of the First Folio (1623) discovered in Nov...
This article discusses the control and regulation of playhouses during Shakespeare's career; The Boo...
In 1598, Shakespeare's name first appeared-unambiguously-on the title pages of printed playbooks, wi...
Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of hi...
This article is an offshoot of work towards an edition of Bel-vedére or The Garden of the Muses, a p...
Ten radically altered versions of Shakespeare’s plays appeared on stage between 1678 and 1682, partl...
The article aims to show and analyse how initial, tentative idolatory attitudes towards Shakespeare,...
Shakespeare’s works remain a reference when artists — either playwrights or stage professionals — ai...