This article analyses the films made by the Estonian National Museum in the 1970s and the 1980s both from the point of view of the filming activity and of the content of these films. Although the Museum's director, Aleksei Peterson, who developed this activity, was mainly interested in strictly ethnographic film, the legacy from this period consists mainly, but not only, of film monographs made both in Estonia and in the Finno-Ugric regions. These films encompass the ethnographers' knowledge of the reconstructed period, the beginning of the 20th century. Nonetheless, the films made in Udmurtia contain several shots that reflect skills and practices still active at the end of that century. Other films are totally shot spontaneously, and ther...
The independence of the Baltic countries in the early 1990s caused major upheavals in the film cultu...
This article examines how sensual aspects of the moving image, such as visual errors, blurring and t...
Dokumentālais kino Baltijas valstīs kā specifiska mākslinieciska parādība ir spējis attīstīties jau ...
International audienceThis article analyses the films made by the Estonian National Museum in the 19...
International audienceThis article analyses the films made by the Estonian National Museum in the 19...
International audienceThis article analyses the films made by the Estonian National Museum in the 19...
In this article I deal with the first extensive and comprehensive permanent exhibition of Estonian f...
In this article I deal with the first extensive and comprehensive permanent exhibition of Estonian f...
The article deals with the impacts of the policy of the 1940s-1950s Soviet authority on the Estonian...
The article deals with the impacts of the policy of the 1940s-1950s Soviet authority on the Estonian...
In this article I attempt to analyse the way in which the Estonian national costume, as heritage, wa...
The recent upsurge of Estonian cinema, characterised by an increased number of productions as well a...
The focus of this article is the historical context of the Finno-Ugric collection in the Estonian Na...
This paper investigates the ethnographic films about the indigenous peoples of the North, moving fro...
The focus of this article is the historical context of the Finno-Ugric collection in the Estonian Na...
The independence of the Baltic countries in the early 1990s caused major upheavals in the film cultu...
This article examines how sensual aspects of the moving image, such as visual errors, blurring and t...
Dokumentālais kino Baltijas valstīs kā specifiska mākslinieciska parādība ir spējis attīstīties jau ...
International audienceThis article analyses the films made by the Estonian National Museum in the 19...
International audienceThis article analyses the films made by the Estonian National Museum in the 19...
International audienceThis article analyses the films made by the Estonian National Museum in the 19...
In this article I deal with the first extensive and comprehensive permanent exhibition of Estonian f...
In this article I deal with the first extensive and comprehensive permanent exhibition of Estonian f...
The article deals with the impacts of the policy of the 1940s-1950s Soviet authority on the Estonian...
The article deals with the impacts of the policy of the 1940s-1950s Soviet authority on the Estonian...
In this article I attempt to analyse the way in which the Estonian national costume, as heritage, wa...
The recent upsurge of Estonian cinema, characterised by an increased number of productions as well a...
The focus of this article is the historical context of the Finno-Ugric collection in the Estonian Na...
This paper investigates the ethnographic films about the indigenous peoples of the North, moving fro...
The focus of this article is the historical context of the Finno-Ugric collection in the Estonian Na...
The independence of the Baltic countries in the early 1990s caused major upheavals in the film cultu...
This article examines how sensual aspects of the moving image, such as visual errors, blurring and t...
Dokumentālais kino Baltijas valstīs kā specifiska mākslinieciska parādība ir spējis attīstīties jau ...