Add to ORKGWith the advent of end-to-end tapeless production and distribution, the whole concept of what it means to archive audiovisual content is being challenged. The traditional role of the archive as a repository for material after broadcast is changing because of digital file-based technologies and high speed networking. Rather than being at the end of the production chain, the archive is becoming an integral part of the production process and as a result is being absorbed into wider digital storage environments, including those that are distributed or used across organisational boundaries. This paper presents some of the work done in the UK AVATAR-m project on service-oriented approaches to digital permanence and preservation of audiovisual con...
As storage costs drop, storage is becoming the lowest cost in a digital repository – and the biggest...
Digital audio-visual preservation is nerve of the research nowadays in this digital world, where use...
Long term retention and access to AV assets as part of a preservation strategy inevitably involves s...
With the advent of end-to-end tapeless production and distribution, the concept of what it means to ...
This paper presents work in the UK AVATAR-m project on how to specify and govern federated archive s...
In many parts of the audiovisual community the boundaries between the environments used for content ...
The mass digitisation of analogue archive holdings plus the transition to tapeless production for ne...
The drive for online access to archive content within ‘tapeless’ workflows means that mass-storage t...
This paper presents ongoing work in PrestoSpace on how broadcast archives can plan large-scale, long...
This paper addresses the challenges related to the role and function of audiovisual archive institut...
The mass digitization of analogue archive holdings and the transition to tapeless production for new...
In recent years, audiovisual archives, large and small, have been making their holdings accessible o...
We report the preliminary results of PrestoPRIME, an EU FP7 integrated project, including audiovisua...
PrestoPRIME is a European project aiming at digital preservation of audiovisual files. In our scenar...
After a short introduction into the role of this audiovisual archive, the authors, who form the core...
As storage costs drop, storage is becoming the lowest cost in a digital repository – and the biggest...
Digital audio-visual preservation is nerve of the research nowadays in this digital world, where use...
Long term retention and access to AV assets as part of a preservation strategy inevitably involves s...
With the advent of end-to-end tapeless production and distribution, the concept of what it means to ...
This paper presents work in the UK AVATAR-m project on how to specify and govern federated archive s...
In many parts of the audiovisual community the boundaries between the environments used for content ...
The mass digitisation of analogue archive holdings plus the transition to tapeless production for ne...
The drive for online access to archive content within ‘tapeless’ workflows means that mass-storage t...
This paper presents ongoing work in PrestoSpace on how broadcast archives can plan large-scale, long...
This paper addresses the challenges related to the role and function of audiovisual archive institut...
The mass digitization of analogue archive holdings and the transition to tapeless production for new...
In recent years, audiovisual archives, large and small, have been making their holdings accessible o...
We report the preliminary results of PrestoPRIME, an EU FP7 integrated project, including audiovisua...
PrestoPRIME is a European project aiming at digital preservation of audiovisual files. In our scenar...
After a short introduction into the role of this audiovisual archive, the authors, who form the core...
As storage costs drop, storage is becoming the lowest cost in a digital repository – and the biggest...
Digital audio-visual preservation is nerve of the research nowadays in this digital world, where use...
Long term retention and access to AV assets as part of a preservation strategy inevitably involves s...