СУБЪЕКТИВИЗМ И БЕЗОБРАЗИЕ. ВЕНЕЦИАНСКИЕ БИЕННАЛЕ 1956-1977 ГГ. В СОВЕТСКОЙ КУЛЬТУРНОЙ ПРЕССЕ

International audienceThe article is devoted to the problems of the consecration of art presented at the Venice Biennale during the Khrushchev thaw of the 60s. The author examines the development of the critical thought of Soviet art magazines in relation to their relationship to Soviet and Western art in an international capitalist event. Particular attention is paid to the evaluation of realistic and abstract art at the Biennale. An analysis of the articles of the cultural press of the sixties makes possible to broaden the notion of the participation of the USSR at the Venice Biennale and the Party's policy regarding the reception of abstract art