<p>The contemporary violins are presented on the top row, and the antique on the bottom row. The violins have been anonymised. Scales are given in mm. The fourth instrument on the upper row is a viola, which typically is thicker than a violin (image size has been reduced to match that of the violins).</p
This article investigates Baroque instruments of the violin family whose bodies have been reduced. T...
The morphology of today’s violin differs greatly from that of the first instruments of the late 16th...
In this project, Optical Coherence Tomography (OCT) and Nuclear Magnetic Resonance (NMR-MOUSE) have ...
<p>The contemporary violins are presented on the top row, and the classical Cremonese on the bottom ...
<p>Thin plate splines, deforming grids to transform violins from members of reference clusters (vert...
<p><b>A)</b> Outlines of instruments that likely contributed to violin design (the rebec, vielle, an...
The various criteria used for graduating the thickness of violin plates are discussed. These are sho...
<p><b>A)</b> Scatterplot of the separation by linear discriminants (LDs) 1 and 2, providing 66.4% an...
Numerous studies on heritage violins have shown that there are a number of factors that contribute t...
A series of cross profiles are shown for famous Cremonese violins and violas by Nicolò Amati, Andrea...
International audienceThe Bilbao project aims at answering this question by relating intrinsic chara...
Some early violins have been reduced during their history to fit imposed morphological standards, wh...
Classical violins created by Cremonese masters, such as Antonio Stradivari and Giuseppe Guarneri Del...
Classical violins produced by makers such as Antonio Stradivari and Guarneri del Gesu have long been...
Classical violins created by Cremonese masters, such as Antonio Stradivari and Giuseppe Guarneri Del...
This article investigates Baroque instruments of the violin family whose bodies have been reduced. T...
The morphology of today’s violin differs greatly from that of the first instruments of the late 16th...
In this project, Optical Coherence Tomography (OCT) and Nuclear Magnetic Resonance (NMR-MOUSE) have ...
<p>The contemporary violins are presented on the top row, and the classical Cremonese on the bottom ...
<p>Thin plate splines, deforming grids to transform violins from members of reference clusters (vert...
<p><b>A)</b> Outlines of instruments that likely contributed to violin design (the rebec, vielle, an...
The various criteria used for graduating the thickness of violin plates are discussed. These are sho...
<p><b>A)</b> Scatterplot of the separation by linear discriminants (LDs) 1 and 2, providing 66.4% an...
Numerous studies on heritage violins have shown that there are a number of factors that contribute t...
A series of cross profiles are shown for famous Cremonese violins and violas by Nicolò Amati, Andrea...
International audienceThe Bilbao project aims at answering this question by relating intrinsic chara...
Some early violins have been reduced during their history to fit imposed morphological standards, wh...
Classical violins created by Cremonese masters, such as Antonio Stradivari and Giuseppe Guarneri Del...
Classical violins produced by makers such as Antonio Stradivari and Guarneri del Gesu have long been...
Classical violins created by Cremonese masters, such as Antonio Stradivari and Giuseppe Guarneri Del...
This article investigates Baroque instruments of the violin family whose bodies have been reduced. T...
The morphology of today’s violin differs greatly from that of the first instruments of the late 16th...
In this project, Optical Coherence Tomography (OCT) and Nuclear Magnetic Resonance (NMR-MOUSE) have ...