This text provides a forum for the presentation and discussion of narrative inquiry approaches to research in music education, and contextualizes this work within the larger conversations of music education research and practice. In an innovative dialogic approach the text is divided into 3 parts, each presenting a different perspective on the uses and purposes of narrative in and for music education. Section I explores the origins of narrative research across a range of fields of inquiry and presents a conception of narrative inquiry as "resonant work". Section II provides 7 examples of narrative inquiry research, each of which is accompanied by a reflective commentary. The commentaries provide an interpretive perspective of the narrative ...
The purpose of this narrative "interlude" is to record an ongoing narrative dialogue between the two...
In addition to the exploration of the general, music education will continue to benefit from the stu...
In this article, the essential features of the narrative – multimeaning and roughness – are highligh...
My doctoral research project sought to explore the ways in which school music teachers’ values and b...
This dissertation employs narrative inquiry as a method, using narrative as a research method to stu...
This paper describes the methodological procedures and issues of a study-in-progress that explores t...
The purpose of this narrative inquiry was to examine how cooperating teachers’ narrative authority w...
Finely polished prose and clean analysis is abundant in scholarly publications. Yet the academic wri...
The narratives presented here demonstrate the diverse ways in which music threads through and thrive...
This study explores the metaphorical relationship between the process of narrative inquiry and the p...
The paper compares the term narrative as it is used by narratologists, and as it is used by music sc...
In this article we present early findings of a review study about the use of discourse analysis in m...
I write about a redefinition of traditional music education as both the learner and the educator exa...
This thesis by publication explores students’ and teachers’ conceptualizations of musical knowledge ...
This thesis explores the professional knowledge of three choral music educators from St. John’s, New...
The purpose of this narrative "interlude" is to record an ongoing narrative dialogue between the two...
In addition to the exploration of the general, music education will continue to benefit from the stu...
In this article, the essential features of the narrative – multimeaning and roughness – are highligh...
My doctoral research project sought to explore the ways in which school music teachers’ values and b...
This dissertation employs narrative inquiry as a method, using narrative as a research method to stu...
This paper describes the methodological procedures and issues of a study-in-progress that explores t...
The purpose of this narrative inquiry was to examine how cooperating teachers’ narrative authority w...
Finely polished prose and clean analysis is abundant in scholarly publications. Yet the academic wri...
The narratives presented here demonstrate the diverse ways in which music threads through and thrive...
This study explores the metaphorical relationship between the process of narrative inquiry and the p...
The paper compares the term narrative as it is used by narratologists, and as it is used by music sc...
In this article we present early findings of a review study about the use of discourse analysis in m...
I write about a redefinition of traditional music education as both the learner and the educator exa...
This thesis by publication explores students’ and teachers’ conceptualizations of musical knowledge ...
This thesis explores the professional knowledge of three choral music educators from St. John’s, New...
The purpose of this narrative "interlude" is to record an ongoing narrative dialogue between the two...
In addition to the exploration of the general, music education will continue to benefit from the stu...
In this article, the essential features of the narrative – multimeaning and roughness – are highligh...