<div><p>Pitch and timbre perception are both based on the frequency content of sound, but previous perceptual experiments have disagreed about whether these two dimensions are processed independently from each other. We tested the interaction of pitch and timbre variations using sequential comparisons of sound pairs. Listeners judged whether two sequential sounds were identical along the dimension of either pitch or timbre, while the perceptual distances along both dimensions were parametrically manipulated. Pitch and timbre variations perceptually interfered with each other and the degree of interference was modulated by the magnitude of changes along the un-attended dimension. These results show that pitch and timbre are not orthogonal to...
A harmonic tone complex typically evokes a sensation of pitch at its fundamental frequency, even wit...
When the fundamental frequency (F0) contours of two speakers' voices intersect, the listener is pres...
The perceptual integration of pitch pattern, durational pattern, and timbre was examined in two expe...
Pitch and timbre perception are both based on the frequency content of sound, but previous perceptua...
Faculty adviser: Andrew OxenhamIn music, timbre differences allow us to distinguish between instrume...
Classically, the perceptual auditory dimensions have been studied independently. Signal characterist...
Sounds that evoke a sense of pitch are ubiquitous in our environment and important for speech, music...
The dependency of the timbre of musical sounds on their fundamental frequency (F0) was examined in t...
Note:Recent research suggests that the perception of sound-source size may be based in part on attri...
A central aim of cognitive psychology is to explain how we integrate stimulus dimensions into a unif...
This study explored the perception of simultaneous pitches among sounds of varying pitch strength. E...
The dependency of the timbre of musical sounds on their fundamental frequency (F ) was examined in t...
Discrimination of just noticeable change in pitch has been widely investigated. In contrast, works o...
Attempts to relate the perceptual dimensions of timbre to quantitative acoustical dimensions have be...
We tested non-musicians and musicians in an auditory psychophysical experiment to assess the effects...
A harmonic tone complex typically evokes a sensation of pitch at its fundamental frequency, even wit...
When the fundamental frequency (F0) contours of two speakers' voices intersect, the listener is pres...
The perceptual integration of pitch pattern, durational pattern, and timbre was examined in two expe...
Pitch and timbre perception are both based on the frequency content of sound, but previous perceptua...
Faculty adviser: Andrew OxenhamIn music, timbre differences allow us to distinguish between instrume...
Classically, the perceptual auditory dimensions have been studied independently. Signal characterist...
Sounds that evoke a sense of pitch are ubiquitous in our environment and important for speech, music...
The dependency of the timbre of musical sounds on their fundamental frequency (F0) was examined in t...
Note:Recent research suggests that the perception of sound-source size may be based in part on attri...
A central aim of cognitive psychology is to explain how we integrate stimulus dimensions into a unif...
This study explored the perception of simultaneous pitches among sounds of varying pitch strength. E...
The dependency of the timbre of musical sounds on their fundamental frequency (F ) was examined in t...
Discrimination of just noticeable change in pitch has been widely investigated. In contrast, works o...
Attempts to relate the perceptual dimensions of timbre to quantitative acoustical dimensions have be...
We tested non-musicians and musicians in an auditory psychophysical experiment to assess the effects...
A harmonic tone complex typically evokes a sensation of pitch at its fundamental frequency, even wit...
When the fundamental frequency (F0) contours of two speakers' voices intersect, the listener is pres...
The perceptual integration of pitch pattern, durational pattern, and timbre was examined in two expe...