<div><p>Moving to music is an essential human pleasure particularly related to musical groove. Structurally, music associated with groove is often characterised by rhythmic complexity in the form of syncopation, frequently observed in musical styles such as funk, hip-hop and electronic dance music. Structural complexity has been related to positive affect in music more broadly, but the function of syncopation in eliciting pleasure and body-movement in groove is unknown. Here we report results from a web-based survey which investigated the relationship between syncopation and ratings of wanting to move and experienced pleasure. Participants heard funk drum-breaks with varying degrees of syncopation and audio entropy, and rated the extent to ...
<div><p>Music psychology defines groove as humans’ pleasureable urge to move their body in synchrony...
Music psychology defines groove as humans' pleasureable urge to move their body in synchrony with mu...
I argue that core aspects of musical rhythm, especially “groove” and syncopation, can only be fully ...
Moving to music is an essential human pleasure particularly related to musical groove. Structurally,...
Moving to music is an essential human pleasure particularly related to musical groove. Structurally,...
Moving to music is an essential human pleasure particularly related to musical groove. Structurally,...
In many musical cultures, people synchronise their bodies to the rhythmic patterns of the music, and...
One of the most immediate and overt ways in which people respond to music is by moving their bodies ...
One of the most immediate and overt ways in which people respond to music is by moving their bodies ...
Movement, perception, and reward are fundamental processes underlying much of our behaviour which, a...
In order to better understand the musical properties which elicit an increased sensation of wanting ...
The pleasurable desire to move to music, also known as groove, is modulated by rhythmic complexity. ...
The urge to move in response to music, combined with the positive affect associated with the couplin...
The urge to move in response to music, combined with the positive affect associated with the couplin...
‘Groove’ can be understood as the (pleasurable) urge to move to music. Predictive accounts of music ...
<div><p>Music psychology defines groove as humans’ pleasureable urge to move their body in synchrony...
Music psychology defines groove as humans' pleasureable urge to move their body in synchrony with mu...
I argue that core aspects of musical rhythm, especially “groove” and syncopation, can only be fully ...
Moving to music is an essential human pleasure particularly related to musical groove. Structurally,...
Moving to music is an essential human pleasure particularly related to musical groove. Structurally,...
Moving to music is an essential human pleasure particularly related to musical groove. Structurally,...
In many musical cultures, people synchronise their bodies to the rhythmic patterns of the music, and...
One of the most immediate and overt ways in which people respond to music is by moving their bodies ...
One of the most immediate and overt ways in which people respond to music is by moving their bodies ...
Movement, perception, and reward are fundamental processes underlying much of our behaviour which, a...
In order to better understand the musical properties which elicit an increased sensation of wanting ...
The pleasurable desire to move to music, also known as groove, is modulated by rhythmic complexity. ...
The urge to move in response to music, combined with the positive affect associated with the couplin...
The urge to move in response to music, combined with the positive affect associated with the couplin...
‘Groove’ can be understood as the (pleasurable) urge to move to music. Predictive accounts of music ...
<div><p>Music psychology defines groove as humans’ pleasureable urge to move their body in synchrony...
Music psychology defines groove as humans' pleasureable urge to move their body in synchrony with mu...
I argue that core aspects of musical rhythm, especially “groove” and syncopation, can only be fully ...