<p>(a) Left: Example of truly-partnered dancers. For visualization, one dancer is colored in red dots and the other in black dots. Dot size decreases for time points further in the past. Blue and green target symbols indicate roughly the centroid of the figure. Middle: Position of the centroid of each figure over time (in pixels), illustrating graphically the profile of extrinsic motion. Right: Position of the left foot point from each figure over time (in pixels) after subtracting extrinsic motion, illustrating the profile of intrinsic motion for an example joint. (b) Same as above, but for un-partnered dancers taken from two different “snippets”. Notice there is a stronger inherent correlation (Pearson’s <i>r</i>) between the intrinsic an...
It is vitally important for humans to detect living creatures in the environment and to analyze thei...
<p>(A) Participants of this group (n = 30) touched and subsequently moved the pictures from the top ...
<p>(a, b) Schematic representations of the time course of the stimuli used in (a) Experiment 1 and (...
<p>(A) The trajectories of joint movements for a pair of un-partnered two male salsa dancers and a c...
We investigated the relationships between perceptions of similarity and interaction in spontaneously...
Observation of human movements provides a rich source of information about the physical and internal...
<p>The stimuli in the first column are spatially intact for demonstration purposes, but the stimuli ...
none4The smart motion capture has became the main method for measuring movement od the dancers. Moti...
<p><u>Panel A: A highly skilled, unsupported position</u>. The leg elevation that the dancer can ach...
Body movement is a primary nonverbal communication channel in humans. Coordinated social behaviors, ...
Visualizations of a GSD+ (top) and a GSD- (bottom) individual’s center of balance over the duration ...
Data file S1. Raw data for the body movement trajectories. This includes frame number, x and y coord...
<p>Salsa dancers were either paired with their true partner or a dancer chosen randomly from a diffe...
<p>From the top to the bottom, the first and second columns represent the temporal sequence of movem...
Dyadic interactions are ubiquitous in our lives, yet they are highly challenging to study. Many subt...
It is vitally important for humans to detect living creatures in the environment and to analyze thei...
<p>(A) Participants of this group (n = 30) touched and subsequently moved the pictures from the top ...
<p>(a, b) Schematic representations of the time course of the stimuli used in (a) Experiment 1 and (...
<p>(A) The trajectories of joint movements for a pair of un-partnered two male salsa dancers and a c...
We investigated the relationships between perceptions of similarity and interaction in spontaneously...
Observation of human movements provides a rich source of information about the physical and internal...
<p>The stimuli in the first column are spatially intact for demonstration purposes, but the stimuli ...
none4The smart motion capture has became the main method for measuring movement od the dancers. Moti...
<p><u>Panel A: A highly skilled, unsupported position</u>. The leg elevation that the dancer can ach...
Body movement is a primary nonverbal communication channel in humans. Coordinated social behaviors, ...
Visualizations of a GSD+ (top) and a GSD- (bottom) individual’s center of balance over the duration ...
Data file S1. Raw data for the body movement trajectories. This includes frame number, x and y coord...
<p>Salsa dancers were either paired with their true partner or a dancer chosen randomly from a diffe...
<p>From the top to the bottom, the first and second columns represent the temporal sequence of movem...
Dyadic interactions are ubiquitous in our lives, yet they are highly challenging to study. Many subt...
It is vitally important for humans to detect living creatures in the environment and to analyze thei...
<p>(A) Participants of this group (n = 30) touched and subsequently moved the pictures from the top ...
<p>(a, b) Schematic representations of the time course of the stimuli used in (a) Experiment 1 and (...