<p>All error bars represent 95% CI. The panels show: (A) Duration, sec; (B) Peaks in motion trajectories of right and left wrists across acting tasks; (C) Average motion speed; (D) Average motion span. As the bar plots show, physical properties of motion sequences depend both on the acting tasks and on the individual actors.</p
<p>(A) Perceived lag in monkeys (open circles) and humans (filled circles) averaged over subjects as...
<p>Hand trajectory length in the pre-gaze anchoring (Pre-GA) period is plotted against block of tria...
<p>Average green luminance values perceived as equal to red luminance in each location for each obse...
<p>Frequencies in the final set of motion sequences across actors (rows) and intended emotion catego...
<p>(A) Bar plots represent performance during right-to-left and left-to-right motion as a function o...
<p>From top row, figure shows physical timing of action and tone, perceived timing for positive, neu...
<p>(A) Humans exert 0.53x and 0.56x force at the high gain setting compared to the low gain setting ...
<p>There is an increase of movement of approximately 40% in the second and third session and of 100%...
<p>(A) Bar plots represent performance during right-to-left and left-to-right motion as a function o...
<p>Panel A shows the difference between pianists and controls; panel B shows the difference when the...
<p>Time of gaze arrival at the Target relative to arrival of actor's hand. Gaze arrival times are pl...
<p>The SNR for upward and downward motion profiles increases as a function of motion intensity. Erro...
<p>Standard error bars included. *** = p < .001, between symp-HD and controls; <sup>+++</sup> = p < ...
<p>Panel A shows the difference when the exposure time of video-clips was shorter (460 and 740 ms) a...
<p>Error bars represent standard error of the mean. Brackets indicate a significant difference at th...
<p>(A) Perceived lag in monkeys (open circles) and humans (filled circles) averaged over subjects as...
<p>Hand trajectory length in the pre-gaze anchoring (Pre-GA) period is plotted against block of tria...
<p>Average green luminance values perceived as equal to red luminance in each location for each obse...
<p>Frequencies in the final set of motion sequences across actors (rows) and intended emotion catego...
<p>(A) Bar plots represent performance during right-to-left and left-to-right motion as a function o...
<p>From top row, figure shows physical timing of action and tone, perceived timing for positive, neu...
<p>(A) Humans exert 0.53x and 0.56x force at the high gain setting compared to the low gain setting ...
<p>There is an increase of movement of approximately 40% in the second and third session and of 100%...
<p>(A) Bar plots represent performance during right-to-left and left-to-right motion as a function o...
<p>Panel A shows the difference between pianists and controls; panel B shows the difference when the...
<p>Time of gaze arrival at the Target relative to arrival of actor's hand. Gaze arrival times are pl...
<p>The SNR for upward and downward motion profiles increases as a function of motion intensity. Erro...
<p>Standard error bars included. *** = p < .001, between symp-HD and controls; <sup>+++</sup> = p < ...
<p>Panel A shows the difference when the exposure time of video-clips was shorter (460 and 740 ms) a...
<p>Error bars represent standard error of the mean. Brackets indicate a significant difference at th...
<p>(A) Perceived lag in monkeys (open circles) and humans (filled circles) averaged over subjects as...
<p>Hand trajectory length in the pre-gaze anchoring (Pre-GA) period is plotted against block of tria...
<p>Average green luminance values perceived as equal to red luminance in each location for each obse...