This article serves as the introduction to this special issue, but it also presents an overview of the current state of research into talkback radio in Australia. It is only recently that significant interest in researching this format has surfaced, despite its importance within the Australian mediascape. In what follows, I argue that this comparative neglect has had its effects — for instance, we are still working through elite assumptions about the inherently tabloid nature of the format which research into other media such as television has overcome. Most importantly, though, I argue that we need to move beyond the notion that talkback is defined by its demographic profile in order to more fully and more contingently examine its social, ...
This study examines talk-radio relations in advance of digitisation, testing the continuity of patte...
In 1967, the Post-Master General’s Department (PMG) and the Australian Broadcasting Control Board (A...
John Laws famously labelled his commercial radio talkback program, and its genre, 'dial-in democracy...
This paper presents early results from an ARC-funded research project on the content, audience and i...
Talkback radio in Australia has primarily been conceptualized as a space where populist meta narrati...
Research into talkback radio has provided a great deal of information about shock jocks and their in...
This article explores the intersections between Australian party politics and commercial talkback ra...
This paper considers the question: who is calling talkback radio in Australia and why? It suggests t...
Technology has had an important influence on the constitution and participation of the commercial me...
This paper explores the relationship between the audience of commercial talkback radio and the actua...
Commercial radio in Australia was effectively deregulated in the late 1980s, when the statutory regu...
This article explores the views of talk radio audiences on their role as entertainers and their awar...
This article considers the differences between talk radio and chat-based radio as specific genres of...
Commercial FM stations in Rockhampton, Sea FM and Hot FM, have been operating in the city since late...
This article explores the views of talk radio audiences on their role as entertainers and their awar...
This study examines talk-radio relations in advance of digitisation, testing the continuity of patte...
In 1967, the Post-Master General’s Department (PMG) and the Australian Broadcasting Control Board (A...
John Laws famously labelled his commercial radio talkback program, and its genre, 'dial-in democracy...
This paper presents early results from an ARC-funded research project on the content, audience and i...
Talkback radio in Australia has primarily been conceptualized as a space where populist meta narrati...
Research into talkback radio has provided a great deal of information about shock jocks and their in...
This article explores the intersections between Australian party politics and commercial talkback ra...
This paper considers the question: who is calling talkback radio in Australia and why? It suggests t...
Technology has had an important influence on the constitution and participation of the commercial me...
This paper explores the relationship between the audience of commercial talkback radio and the actua...
Commercial radio in Australia was effectively deregulated in the late 1980s, when the statutory regu...
This article explores the views of talk radio audiences on their role as entertainers and their awar...
This article considers the differences between talk radio and chat-based radio as specific genres of...
Commercial FM stations in Rockhampton, Sea FM and Hot FM, have been operating in the city since late...
This article explores the views of talk radio audiences on their role as entertainers and their awar...
This study examines talk-radio relations in advance of digitisation, testing the continuity of patte...
In 1967, the Post-Master General’s Department (PMG) and the Australian Broadcasting Control Board (A...
John Laws famously labelled his commercial radio talkback program, and its genre, 'dial-in democracy...