<p>The top half of the figure shows (from left to right) a schematic representation of the test condition in relation to the frequency ranges of the HA and the CI, a spectrogram of the original stimuli, a spectrogram of the simulated HA output, and an idealized electrodogram for the A3 Masker condition; the bottom half shows the same information for the A6 Masker condition. Figure details are similar to the details of <a href="http://www.plosone.org/article/info:doi/10.1371/journal.pone.0120279#pone.0120279.g002" target="_blank">Fig. 2</a>. The target instrument notes are shown in black and the masking instrument notes are shown in gray.</p
<p>Top: An iso-frequency plaid (a), and an unequal frequency plaid (c) consisting of a horizontal gr...
<p>A) Spike train patterns from the local interneuron TN1 in response to the original song, −3 dB an...
This article investigates how the amplitude and phase characteristics of the inner ear influence the...
<p>The far left panel shows a schematic representation of HA and CI frequency ranges. The target con...
<p>Schematic drawing of the five masker types (grey) in the two frequency regions used in the experi...
<p>Black lines indicate the harmonics of the tone complex used as masker. The harmonics are multiple...
When signals are presented on the immediate high-frequency side of a pure-tone masker, it is not the...
<p>Left panel: time waveform of a masker sample used in the FM SNR condition. Right panel: spectrogr...
<p>Mean masked thresholds from five individuals for the detection of a pure tone target in each of t...
<p>The top row shows MCI performance for the No Masker (left), A3 Masker (middle), and A6 Masker con...
<p>Hypothetical excitation patterns for different combinations of signals and maskers. <b>A.</b> 50-...
<p>Fig 1 shows the spectral properties (frequency regions of the complex tones, cutoff-frequency of ...
<p>The colored solid and dashed lines show the original single-channel T and MAL levels before adjus...
<p>(A) On-frequency masker. <b>(B)</b> Low-frequency masker. <b>(C)</b> High-frequency masker. Plots...
<p>The horizontal grey lines in the top panel indicate the peak of masking and corresponding numbers...
<p>Top: An iso-frequency plaid (a), and an unequal frequency plaid (c) consisting of a horizontal gr...
<p>A) Spike train patterns from the local interneuron TN1 in response to the original song, −3 dB an...
This article investigates how the amplitude and phase characteristics of the inner ear influence the...
<p>The far left panel shows a schematic representation of HA and CI frequency ranges. The target con...
<p>Schematic drawing of the five masker types (grey) in the two frequency regions used in the experi...
<p>Black lines indicate the harmonics of the tone complex used as masker. The harmonics are multiple...
When signals are presented on the immediate high-frequency side of a pure-tone masker, it is not the...
<p>Left panel: time waveform of a masker sample used in the FM SNR condition. Right panel: spectrogr...
<p>Mean masked thresholds from five individuals for the detection of a pure tone target in each of t...
<p>The top row shows MCI performance for the No Masker (left), A3 Masker (middle), and A6 Masker con...
<p>Hypothetical excitation patterns for different combinations of signals and maskers. <b>A.</b> 50-...
<p>Fig 1 shows the spectral properties (frequency regions of the complex tones, cutoff-frequency of ...
<p>The colored solid and dashed lines show the original single-channel T and MAL levels before adjus...
<p>(A) On-frequency masker. <b>(B)</b> Low-frequency masker. <b>(C)</b> High-frequency masker. Plots...
<p>The horizontal grey lines in the top panel indicate the peak of masking and corresponding numbers...
<p>Top: An iso-frequency plaid (a), and an unequal frequency plaid (c) consisting of a horizontal gr...
<p>A) Spike train patterns from the local interneuron TN1 in response to the original song, −3 dB an...
This article investigates how the amplitude and phase characteristics of the inner ear influence the...