This article examines ways in which art can help broaden understandings of contemporary security challenges, especially in view of the limits of conventional forms of strategic and policy analysis. The article focuses especially on responses to 9/11 in literature, the visual arts, architecture, and music, and considers some epistemological questions about the status of art as a way of knowing political events, like those of 9/11, that escape state-based forms of security analysis
Abstract: On September 11, 2001, terrorists commandeered four commercial airliners and crashed two i...
Creative Sanctions: Imaginative Limits and the Post-9/11 Novel breaks with dominant critical assumpt...
This paper explores strategies and positions in contemporary art that have been at the center of man...
There have been numerous critical articles on what really happened on the otherwise beautiful mornin...
Can the attacks of 9/11 be considered an avant-garde artistic event? This article aims to discuss, f...
At the end of the twentieth century there was a critical shift from prioritizing the anti-aesthetic ...
This article traces the impact of 9/11 on my teaching style as an art historian. That trauma has lef...
Traumatic events demand a response that recognizes their impact rather than one that moves rapidly t...
At the end of the twentieth century there was a critical shift from prioritizing the anti-aesthetic ...
As the range of the aesthetic has expanded to cover not only a wider range of objects and situations...
Representations of terrorism, in fiction and non-fiction, summon their readers and viewers to examin...
The terrorist attack of 11 September 2001 was a momentous event that marked contemporary history. Fo...
The shocking and unprecedented attacks of September 11 brought home to Americans the reality that th...
Professors Hopkins and Hopkins review the impact of 9/11 as a symbol in American politics. Following...
The aim of the essay is to look back at 9/11 from the temporal perspective of 2011 and interpret it ...
Abstract: On September 11, 2001, terrorists commandeered four commercial airliners and crashed two i...
Creative Sanctions: Imaginative Limits and the Post-9/11 Novel breaks with dominant critical assumpt...
This paper explores strategies and positions in contemporary art that have been at the center of man...
There have been numerous critical articles on what really happened on the otherwise beautiful mornin...
Can the attacks of 9/11 be considered an avant-garde artistic event? This article aims to discuss, f...
At the end of the twentieth century there was a critical shift from prioritizing the anti-aesthetic ...
This article traces the impact of 9/11 on my teaching style as an art historian. That trauma has lef...
Traumatic events demand a response that recognizes their impact rather than one that moves rapidly t...
At the end of the twentieth century there was a critical shift from prioritizing the anti-aesthetic ...
As the range of the aesthetic has expanded to cover not only a wider range of objects and situations...
Representations of terrorism, in fiction and non-fiction, summon their readers and viewers to examin...
The terrorist attack of 11 September 2001 was a momentous event that marked contemporary history. Fo...
The shocking and unprecedented attacks of September 11 brought home to Americans the reality that th...
Professors Hopkins and Hopkins review the impact of 9/11 as a symbol in American politics. Following...
The aim of the essay is to look back at 9/11 from the temporal perspective of 2011 and interpret it ...
Abstract: On September 11, 2001, terrorists commandeered four commercial airliners and crashed two i...
Creative Sanctions: Imaginative Limits and the Post-9/11 Novel breaks with dominant critical assumpt...
This paper explores strategies and positions in contemporary art that have been at the center of man...