Hainge examines Shakespeare's play The Tempest, which was used in the allusions of Louis-Ferdinand Céline's novel Guignol's Band and Peter Greenaway's 1991 film Prospero's Book. He hypothesizes that Céline's novel Feerie pour une autre fois can be conceived of as a response to and interpretation of the The Tempest in the same way that Greenaway's film can be conceived of not as a representation of Shakespeare's play, a simple staging of it, but rather as a subjective response to it, an adaptation in the truest sense of the term
William Shakespeare\u27s The Tempest is a work which has intrigued and enchanted both directors and ...
International audienceStudies the tension in The Tempest by Shakespeare between formal romanticism a...
In critical history, Shakespeare's The Tempest has been interpreted as a reticent play, a fascinatin...
This study analyzes the way Peter Greenaway in his fllm "Prospero's Books" reinterprets Shakespeare'...
In 1991, film director Peter Greenaway turned William Shakespeare’s "The Tempest" into an experiment...
Against a multifaceted theoretical background which has investigated the changing cultural contexts ...
« [N]ous n’avons toujours pas vu de véritable film. Tout ce que nous avons pu voir [dans ces cent an...
Since the romantic poet Thomas Campbell, we look at Prosperous as a sort of William Shakespeare’s se...
This paper considers the basis for taking The Tempest to be an Italian Comedy, especially a pastoral...
ADAPTING THE TEMPEST: JULIE TAYMOR'S REVELS Adaptations and appropriations of Shakespeare's plays de...
The article makes a provocative comparison between a recognized major form of literature and a moder...
Prospero’s Books, réalisé en 1991, est un film riche et ambitieux qui propose une lecture nouvelle e...
Though its supernatural spectacles might seem to suit it to the magical technologies of cinema, The ...
This paper analyses the literary and cinematographic language expressions in The tempest, William Sh...
Dans cette étude de La Tempête à l’écran et du personnage de Caliban, il sera question du film de Pe...
William Shakespeare\u27s The Tempest is a work which has intrigued and enchanted both directors and ...
International audienceStudies the tension in The Tempest by Shakespeare between formal romanticism a...
In critical history, Shakespeare's The Tempest has been interpreted as a reticent play, a fascinatin...
This study analyzes the way Peter Greenaway in his fllm "Prospero's Books" reinterprets Shakespeare'...
In 1991, film director Peter Greenaway turned William Shakespeare’s "The Tempest" into an experiment...
Against a multifaceted theoretical background which has investigated the changing cultural contexts ...
« [N]ous n’avons toujours pas vu de véritable film. Tout ce que nous avons pu voir [dans ces cent an...
Since the romantic poet Thomas Campbell, we look at Prosperous as a sort of William Shakespeare’s se...
This paper considers the basis for taking The Tempest to be an Italian Comedy, especially a pastoral...
ADAPTING THE TEMPEST: JULIE TAYMOR'S REVELS Adaptations and appropriations of Shakespeare's plays de...
The article makes a provocative comparison between a recognized major form of literature and a moder...
Prospero’s Books, réalisé en 1991, est un film riche et ambitieux qui propose une lecture nouvelle e...
Though its supernatural spectacles might seem to suit it to the magical technologies of cinema, The ...
This paper analyses the literary and cinematographic language expressions in The tempest, William Sh...
Dans cette étude de La Tempête à l’écran et du personnage de Caliban, il sera question du film de Pe...
William Shakespeare\u27s The Tempest is a work which has intrigued and enchanted both directors and ...
International audienceStudies the tension in The Tempest by Shakespeare between formal romanticism a...
In critical history, Shakespeare's The Tempest has been interpreted as a reticent play, a fascinatin...