<div><p>We review the history of rock art research in Kondoa District, Tanzania, specifically the area covered by the ‘Kondoa Rock Art Sites UNESCO World Heritage Site’. We examine why, after nearly a century of research, there is neither a broadly agreed upon stylistic sequence for the rock art of the area nor a clear ascription of authorship. We seek to provide a solution to this impasse by introducing a rigorous and systematised analytical approach that considers both the content of the art and the location in which it was situated. The findings of our analysis, as presented here, demonstrate three clearly identifiable traditions of art, each with elements of overlap and borrowing. We provide an evidence-based ascription of authorship to...
Rock art remains a tangible part of landscapes for hundreds or thousands of years due to its fixatio...
Research on southern African rock art interpretation has been heavily steered to geographically ‘ric...
International audienceContemporary narratives and interpretations surrounding rock art production in...
Thesis submitted to fulfilment of the requirement for the degree of Doctor of Philosophy in the Scho...
This talk examines six petroglyph (rock engraving) sites in the Sandawe homeland of north-central Ta...
The subject of rock art elicits a lot of interests. Although the Trust for African Rock (TARA) Proje...
Mwana wa Chentcherere II, or Chentcherere Rock Shelter II, the name by which it was more generally k...
The archaeological record of central Tanzania is rich, but it is also understudied. However, because...
Located in the UNESCO World Heritage Center in Kondoa, Tanzania, the Kisese II rock shelter (4.49° S...
This work is based on the comparative iconographic analysis of a distinct corpus of paintings within...
Saharan rock art is undoubtedly one of the most renowned artistic expressions of Africa, as acknowle...
This paper focuses on southern Ethiopia, along the outer rim of the Rift Valley and not far from the...
Central and South America is a vast region, where a wide range of different societies established, t...
Despite several intensive archaeological investigations conducted in the Kingdom of Saudi Arabia ove...
iii In this thesis I examine the material culture of initiation in central Malai, eastern Zambia and...
Rock art remains a tangible part of landscapes for hundreds or thousands of years due to its fixatio...
Research on southern African rock art interpretation has been heavily steered to geographically ‘ric...
International audienceContemporary narratives and interpretations surrounding rock art production in...
Thesis submitted to fulfilment of the requirement for the degree of Doctor of Philosophy in the Scho...
This talk examines six petroglyph (rock engraving) sites in the Sandawe homeland of north-central Ta...
The subject of rock art elicits a lot of interests. Although the Trust for African Rock (TARA) Proje...
Mwana wa Chentcherere II, or Chentcherere Rock Shelter II, the name by which it was more generally k...
The archaeological record of central Tanzania is rich, but it is also understudied. However, because...
Located in the UNESCO World Heritage Center in Kondoa, Tanzania, the Kisese II rock shelter (4.49° S...
This work is based on the comparative iconographic analysis of a distinct corpus of paintings within...
Saharan rock art is undoubtedly one of the most renowned artistic expressions of Africa, as acknowle...
This paper focuses on southern Ethiopia, along the outer rim of the Rift Valley and not far from the...
Central and South America is a vast region, where a wide range of different societies established, t...
Despite several intensive archaeological investigations conducted in the Kingdom of Saudi Arabia ove...
iii In this thesis I examine the material culture of initiation in central Malai, eastern Zambia and...
Rock art remains a tangible part of landscapes for hundreds or thousands of years due to its fixatio...
Research on southern African rock art interpretation has been heavily steered to geographically ‘ric...
International audienceContemporary narratives and interpretations surrounding rock art production in...