<p>(A) In each type of item sequences, the observers performed a duration discrimination task between the target and its reference to estimate the amount of duration distortion (see <a href="http://www.plosone.org/article/info:doi/10.1371/journal.pone.0182639#sec002" target="_blank">Methods</a> for details). (B-D) Stimulus sets in Experiments 1, 2, and 3, respectively.</p
<p>A) Serial reaction time task: The numbers on the screen indicate the finger to be used for the ke...
<p>(<b>A</b>) The timeline of the sequential-sampling task used in Experiment 1. After fixation, two...
<p>(A) Schematic representation of the stimulus design. A rhythmic sequence of pure tones (target se...
<p>(Adapted from <a href="http://www.plosone.org/article/info:doi/10.1371/journal.pone.0012650#pone....
<p>(a) Experimental details are the same as <a href="http://www.plosone.org/article/info:doi/10.1371...
<p>(a) Encoding paradigm – 12 target stimuli preceded by baseline fixation cross. (b) Recognition pa...
The brain constantly adjusts perceived duration based on the recent event history. One such lab phen...
We investigated the limits of the number of events observers can simultaneously time. For single tar...
Two experiments examined identification and bisection of tones varying in temporal duration (Experim...
The relative-coding hypothesis of temporal discrimination asserts that humans learn to respond to th...
<p>A. A flowchart of an individual trial. In this example, the visual spatial cue indicates spatial ...
<p>(a) Experiment 1: average bisection points when digit 9 was the test stimulus. (b) Experiment 2: ...
<p>(A) The stimulus sequence. Participants were asked to respond with whether the durations of two s...
<p>The task was to discriminate empty intervals delimited by auditory (A) and/or visual (V) signals....
How do observers judge the passage of time at a short time-scale? Humans are not equipped with a ded...
<p>A) Serial reaction time task: The numbers on the screen indicate the finger to be used for the ke...
<p>(<b>A</b>) The timeline of the sequential-sampling task used in Experiment 1. After fixation, two...
<p>(A) Schematic representation of the stimulus design. A rhythmic sequence of pure tones (target se...
<p>(Adapted from <a href="http://www.plosone.org/article/info:doi/10.1371/journal.pone.0012650#pone....
<p>(a) Experimental details are the same as <a href="http://www.plosone.org/article/info:doi/10.1371...
<p>(a) Encoding paradigm – 12 target stimuli preceded by baseline fixation cross. (b) Recognition pa...
The brain constantly adjusts perceived duration based on the recent event history. One such lab phen...
We investigated the limits of the number of events observers can simultaneously time. For single tar...
Two experiments examined identification and bisection of tones varying in temporal duration (Experim...
The relative-coding hypothesis of temporal discrimination asserts that humans learn to respond to th...
<p>A. A flowchart of an individual trial. In this example, the visual spatial cue indicates spatial ...
<p>(a) Experiment 1: average bisection points when digit 9 was the test stimulus. (b) Experiment 2: ...
<p>(A) The stimulus sequence. Participants were asked to respond with whether the durations of two s...
<p>The task was to discriminate empty intervals delimited by auditory (A) and/or visual (V) signals....
How do observers judge the passage of time at a short time-scale? Humans are not equipped with a ded...
<p>A) Serial reaction time task: The numbers on the screen indicate the finger to be used for the ke...
<p>(<b>A</b>) The timeline of the sequential-sampling task used in Experiment 1. After fixation, two...
<p>(A) Schematic representation of the stimulus design. A rhythmic sequence of pure tones (target se...
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