Stencil art, although widespread throughout the rock art regions of Australia, has been largely overlooked by rock art researchers who have tended to specialise in engraving and freehand painting. Nonetheless, most students of Aboriginal art would be only too familiar with the nearly ubiquitous 'hand stencils'. Among the many galleries of the central Queensland sandstone belt, where stencils dominate the motifs, an interesting variation of the common hand stencil is encountered. This variation consists of stencils of both left and right hands, contorted to form unusual patterns, some appearing to have missing, partly missing, or distorted fingers
The distribution of known Pleistocene painted rock art in Island South-east Asia is currently limite...
Beginning in 1906, the year of Cartailhac\u27s writing on the hands in red and black in the cave of ...
Hand stencils are an intriguing feature of prehistoric imagery in caves and rockshelters in several ...
Affordances necessary for the making of hand traces in the form of stencils and prints—primarily the...
The rock art at Gua Andomo and Gua Lampetia, two newly described sites in the Indonesian island of S...
The rock art at Gua Andomo and Gua Lampetia, two newly described sites in the Indonesian island of S...
66 hand stencils have been identified in the Cosquer Cave. This number is less than that found at Ga...
This paper amends and adds recent information to Paul A. Janssens\u27 earlier article on the prehist...
International audienceHand stencils directly represent modern humans in landscape settings around th...
Hand stencils are an intriguing feature of prehistoric imagery in caves and rockshelters in several ...
Hand stencils and prints are found globally in rock art, reflecting the sine qua non role of the han...
This paper addresses the motivations for producing the rare object stencils found in the rock art of...
Two Historic petroglyphs depicting the human hand are described, one associated with the well-known ...
Hand stencils are some of the most enduring images in Upper Palaeolithic rock art sites across the ...
In the Libyan Desert, Wadi Sūra II shelter hosts numerous stencil paintings believed to date to the ...
The distribution of known Pleistocene painted rock art in Island South-east Asia is currently limite...
Beginning in 1906, the year of Cartailhac\u27s writing on the hands in red and black in the cave of ...
Hand stencils are an intriguing feature of prehistoric imagery in caves and rockshelters in several ...
Affordances necessary for the making of hand traces in the form of stencils and prints—primarily the...
The rock art at Gua Andomo and Gua Lampetia, two newly described sites in the Indonesian island of S...
The rock art at Gua Andomo and Gua Lampetia, two newly described sites in the Indonesian island of S...
66 hand stencils have been identified in the Cosquer Cave. This number is less than that found at Ga...
This paper amends and adds recent information to Paul A. Janssens\u27 earlier article on the prehist...
International audienceHand stencils directly represent modern humans in landscape settings around th...
Hand stencils are an intriguing feature of prehistoric imagery in caves and rockshelters in several ...
Hand stencils and prints are found globally in rock art, reflecting the sine qua non role of the han...
This paper addresses the motivations for producing the rare object stencils found in the rock art of...
Two Historic petroglyphs depicting the human hand are described, one associated with the well-known ...
Hand stencils are some of the most enduring images in Upper Palaeolithic rock art sites across the ...
In the Libyan Desert, Wadi Sūra II shelter hosts numerous stencil paintings believed to date to the ...
The distribution of known Pleistocene painted rock art in Island South-east Asia is currently limite...
Beginning in 1906, the year of Cartailhac\u27s writing on the hands in red and black in the cave of ...
Hand stencils are an intriguing feature of prehistoric imagery in caves and rockshelters in several ...