Using Historical Geographic Information Systems (HGIS), this project maps Joel Sweeney’s performances in America from 1836 to 1842 in relation to economic and social demographics of the era. These performances mark the first recordable path of the man who introduced the forerunner of what is now considered the modern banjo. His travels into the North targeted a new audience: Northern whites. These maps mark the earliest record of the traditional southern black banjo moving into popular entertainment of the North through blackface minstrelsy
Bluegrass, a specific sub-style of country music, evolved in the upland South from traditional folks...
Learning how to conduct studies using ARC GIS mapping, enabled this class to gain a new perspective ...
In recent years historical archaeologists have employed the panoptic plantation approach to examine ...
A Transnational Look at the Banjo A national music is the spontaneous growth of ages of insulated l...
Musical Crossroads Media Presentation: African Roots of the Banjo in Appalachia (PowerPoint w Videos...
This dissertation uses the tools of historical Geographic Information Systems (hGIS) to locate and d...
Indiana University-Purdue University Indianapolis (IUPUI)In the 1750s, a group of Scots-Irish famili...
The global roots of Appalachia that have fostered diverse ethnic music and the cultural exchange tha...
Though primarily associated with white Southerners, bluegrass music is actually the product of over ...
This thesis is a case study of African American entertainment venues and vernacular music culture in...
The focus of Aisha’s research is the migration of traditional old time fiddling styles from the Appa...
Finding Aid and full text paper (Click on Additional File below) for Folklife Archvies Project 586...
The first ever Senior Project to combine Historical Studies and Computer Science. Examining United S...
The story of the banjo\u27s journey from Africa to the western hemisphere blends music, history, and...
Accustomed to the one-string fiddle in West Africa (Dje Dje), by 1690 in Accomac, Virginia, a black ...
Bluegrass, a specific sub-style of country music, evolved in the upland South from traditional folks...
Learning how to conduct studies using ARC GIS mapping, enabled this class to gain a new perspective ...
In recent years historical archaeologists have employed the panoptic plantation approach to examine ...
A Transnational Look at the Banjo A national music is the spontaneous growth of ages of insulated l...
Musical Crossroads Media Presentation: African Roots of the Banjo in Appalachia (PowerPoint w Videos...
This dissertation uses the tools of historical Geographic Information Systems (hGIS) to locate and d...
Indiana University-Purdue University Indianapolis (IUPUI)In the 1750s, a group of Scots-Irish famili...
The global roots of Appalachia that have fostered diverse ethnic music and the cultural exchange tha...
Though primarily associated with white Southerners, bluegrass music is actually the product of over ...
This thesis is a case study of African American entertainment venues and vernacular music culture in...
The focus of Aisha’s research is the migration of traditional old time fiddling styles from the Appa...
Finding Aid and full text paper (Click on Additional File below) for Folklife Archvies Project 586...
The first ever Senior Project to combine Historical Studies and Computer Science. Examining United S...
The story of the banjo\u27s journey from Africa to the western hemisphere blends music, history, and...
Accustomed to the one-string fiddle in West Africa (Dje Dje), by 1690 in Accomac, Virginia, a black ...
Bluegrass, a specific sub-style of country music, evolved in the upland South from traditional folks...
Learning how to conduct studies using ARC GIS mapping, enabled this class to gain a new perspective ...
In recent years historical archaeologists have employed the panoptic plantation approach to examine ...