Add to ORKGFollow the decline of Hong Kong cinema in the 90s, Johnnie To has found a way to adapt to the invasion of Hollywood. Creating films for the festival circuit and commercial, To has be economically safe. However, it is To\u27s use of themes that let his stand out compared to his peers. My project is to simulate To\u27s style and storytelling by shooting my own film. Inspired by five To films, I will also add my own flare of creative direction to this film and create a homage to one of the most prolific directors from Asia
PRODUCTION ACTIVITY It was not so many years ago it seems when speaking of motion pictures from Asia...
Taking co-production as a dominant development of Hong Kong's film industry, this study examines the...
The Chinese cinema from 1984 to 1989 was certainly different from that of the previous period based ...
Follow the decline of Hong Kong cinema in the 90s, Johnnie To has found a way to adapt to the invasi...
Provides a comprehensive overview of Johnnie To's career, concentrating on his action films, th...
One of the most prominent directors in Hong Kong at the moment, Johnnie To Kei-fung, has over the pa...
Favraud Georges, Van Den Troost Kristof. Stephen Teo, Director in Action : Johnnie To and the Hong K...
REVERTING TOSOCIAL ORDER BY CONTAINMENT: JOHNNIE TO KEI-FUNG'S WHERE A GOOD MAN GOES The 1999 Hong K...
PTU is an underappreciated noir masterpiece by one of Hong Kong\u27s most prolific and commercially ...
...By examining the cinema of Hong Kong’s commercial crime film director Johnnie To, this dissertati...
Michael Ingham, an associate professor at Hong Kong’s Lingnan University, continues the work begun b...
Hong Kong has the world’s third largest film industry after Hollywood and Bollywood. For...
The cinematic landscapes of both China and Hong Kong were significantly changed after CEPA, the Main...
IN HIS BRILLIANT TRIAD FILM DEBUT As Tears Go By, the Hong Kong's maverick filmmaker Wong Kar-wai(1)...
SINCE 1985 THE HONG KONG INTERNATIONAL FILM FESTIVAL (HKIFF) has been the guardian of Asian cinema. ...
PRODUCTION ACTIVITY It was not so many years ago it seems when speaking of motion pictures from Asia...
Taking co-production as a dominant development of Hong Kong's film industry, this study examines the...
The Chinese cinema from 1984 to 1989 was certainly different from that of the previous period based ...
Follow the decline of Hong Kong cinema in the 90s, Johnnie To has found a way to adapt to the invasi...
Provides a comprehensive overview of Johnnie To's career, concentrating on his action films, th...
One of the most prominent directors in Hong Kong at the moment, Johnnie To Kei-fung, has over the pa...
Favraud Georges, Van Den Troost Kristof. Stephen Teo, Director in Action : Johnnie To and the Hong K...
REVERTING TOSOCIAL ORDER BY CONTAINMENT: JOHNNIE TO KEI-FUNG'S WHERE A GOOD MAN GOES The 1999 Hong K...
PTU is an underappreciated noir masterpiece by one of Hong Kong\u27s most prolific and commercially ...
...By examining the cinema of Hong Kong’s commercial crime film director Johnnie To, this dissertati...
Michael Ingham, an associate professor at Hong Kong’s Lingnan University, continues the work begun b...
Hong Kong has the world’s third largest film industry after Hollywood and Bollywood. For...
The cinematic landscapes of both China and Hong Kong were significantly changed after CEPA, the Main...
IN HIS BRILLIANT TRIAD FILM DEBUT As Tears Go By, the Hong Kong's maverick filmmaker Wong Kar-wai(1)...
SINCE 1985 THE HONG KONG INTERNATIONAL FILM FESTIVAL (HKIFF) has been the guardian of Asian cinema. ...
PRODUCTION ACTIVITY It was not so many years ago it seems when speaking of motion pictures from Asia...
Taking co-production as a dominant development of Hong Kong's film industry, this study examines the...
The Chinese cinema from 1984 to 1989 was certainly different from that of the previous period based ...