Add to ORKGCurated by Molly Reynolds ’14, this exhibition features a selection of revolutionary posters that chart a visual history of socialist China from the 1950s to the 1970s. This exhibition is supported in part by Special Collections and College Archives, Musselman Library, Gettysburg College. See the full exhibit catalog here.https://cupola.gettysburg.edu/artposters/1003/thumbnail.jp
The concept of the revolutionary hero or martyr was integral to Mao Zedong Thought. The Chinese peop...
The scene was Chongqing, China’s wartime capital; and the time was 1942, the fifth year of the Sino–...
Poster for the Women\u27s Voices of Imperial China event that occured on March 1, 2017 in the Will...
Propaganda posters have been one of many forms of political media used by modern governments such as...
The Royal Library’s collection of Chinese posters was acquired by purchases in 1978, 2004–2007, 2010...
This collection of digitized posters from 20th century China gives researchers a view into China\u27...
In this paper, I discuss a project designed to increase knowledge of and make more accessible a coll...
This illustrated book provides an innovative reinterpretation of the Cultural Revolution through the...
The book reviews the way in which art, in the form of posters, was used by Mao Zedong and the Chines...
The first years after the founding of the People\u2019s Republic of China (1949) are considered cruc...
The collection, interpretation and display of art from the People’s Republic of China, and particula...
This chapter outlines whether the visual representations of the China Dream can, therefore, be descr...
<p>The artistic development in China experienced drastic changes during the Cultural Revolution from...
The first years after the founding of the People\u2019s Republic of China (1949) are considered cruc...
The University of Westminster’s China Visual Arts Project was founded in the 1970s as a teaching aid...
The concept of the revolutionary hero or martyr was integral to Mao Zedong Thought. The Chinese peop...
The scene was Chongqing, China’s wartime capital; and the time was 1942, the fifth year of the Sino–...
Poster for the Women\u27s Voices of Imperial China event that occured on March 1, 2017 in the Will...
Propaganda posters have been one of many forms of political media used by modern governments such as...
The Royal Library’s collection of Chinese posters was acquired by purchases in 1978, 2004–2007, 2010...
This collection of digitized posters from 20th century China gives researchers a view into China\u27...
In this paper, I discuss a project designed to increase knowledge of and make more accessible a coll...
This illustrated book provides an innovative reinterpretation of the Cultural Revolution through the...
The book reviews the way in which art, in the form of posters, was used by Mao Zedong and the Chines...
The first years after the founding of the People\u2019s Republic of China (1949) are considered cruc...
The collection, interpretation and display of art from the People’s Republic of China, and particula...
This chapter outlines whether the visual representations of the China Dream can, therefore, be descr...
<p>The artistic development in China experienced drastic changes during the Cultural Revolution from...
The first years after the founding of the People\u2019s Republic of China (1949) are considered cruc...
The University of Westminster’s China Visual Arts Project was founded in the 1970s as a teaching aid...
The concept of the revolutionary hero or martyr was integral to Mao Zedong Thought. The Chinese peop...
The scene was Chongqing, China’s wartime capital; and the time was 1942, the fifth year of the Sino–...
Poster for the Women\u27s Voices of Imperial China event that occured on March 1, 2017 in the Will...