Add to ORKGHou Hsiao-hsien is arguably the most celebrated Chinese-language film director in the international film festival realm. However, this is not due to an inert cultural tradition so much as to numerous historical/contextual factors – most of all his being from Taiwan -- which together explain the accomplishments of Hou.https://cupola.gettysburg.edu/books/1051/thumbnail.jp
1. THE TAIWANESE ANTONIONI: TSAI MING-LIANG'S DISPLACEMENT OF LOVE IN AN URBAN ENVIRONMENT NO, Tsai ...
This in-depth study of the Matsu islands between China and Taiwan charts their sudden transition fro...
In many ways there could not be a more fascinating method to investigate how Taiwan's Chinese Nation...
Book Summary: For younger critics and audiences, Taiwanese cinema enjoys a special status, comparabl...
Taiwanese director Hou Hsiao-hsien\u27s films always have abrupt endings, which invite a reconstruct...
Following the recent success of Taiwanese film directors, such as Hou Hsiao-hsien, Edward Yang, Ang ...
Hou Hsiao-hsien is one of the most controversial film directors in Taiwan. His proponents love him f...
Focusing on the work of four contemporary filmmakers—Ang Lee, Edward Yang, Hou Hsiao-hsien, and Tsai...
This article situates Hou Hsiao-Hsien's films in the post Cold-War global setting. It discusses...
Studies of national cinemas have identified auteur directors as important elements in the building ...
This article reviews the book Transnational Chinese Cinemas: Identity, Nationhood, Gender edited b...
This thesis engages with Taiwanese history by offering a reading of Hou Hsiao-Hsien'sA City of Sadne...
This article attempts to reexamine the multiple forms of displacement in and of the film to which th...
Le cinéma taiwanais est connu grâce à quelques réalisateurs récompensés dans les festivals occidenta...
The criticism on Hou Hsiao-Hsien's films of the French magazine Cahiers du Cinéma is an important la...
1. THE TAIWANESE ANTONIONI: TSAI MING-LIANG'S DISPLACEMENT OF LOVE IN AN URBAN ENVIRONMENT NO, Tsai ...
This in-depth study of the Matsu islands between China and Taiwan charts their sudden transition fro...
In many ways there could not be a more fascinating method to investigate how Taiwan's Chinese Nation...
Book Summary: For younger critics and audiences, Taiwanese cinema enjoys a special status, comparabl...
Taiwanese director Hou Hsiao-hsien\u27s films always have abrupt endings, which invite a reconstruct...
Following the recent success of Taiwanese film directors, such as Hou Hsiao-hsien, Edward Yang, Ang ...
Hou Hsiao-hsien is one of the most controversial film directors in Taiwan. His proponents love him f...
Focusing on the work of four contemporary filmmakers—Ang Lee, Edward Yang, Hou Hsiao-hsien, and Tsai...
This article situates Hou Hsiao-Hsien's films in the post Cold-War global setting. It discusses...
Studies of national cinemas have identified auteur directors as important elements in the building ...
This article reviews the book Transnational Chinese Cinemas: Identity, Nationhood, Gender edited b...
This thesis engages with Taiwanese history by offering a reading of Hou Hsiao-Hsien'sA City of Sadne...
This article attempts to reexamine the multiple forms of displacement in and of the film to which th...
Le cinéma taiwanais est connu grâce à quelques réalisateurs récompensés dans les festivals occidenta...
The criticism on Hou Hsiao-Hsien's films of the French magazine Cahiers du Cinéma is an important la...
1. THE TAIWANESE ANTONIONI: TSAI MING-LIANG'S DISPLACEMENT OF LOVE IN AN URBAN ENVIRONMENT NO, Tsai ...
This in-depth study of the Matsu islands between China and Taiwan charts their sudden transition fro...
In many ways there could not be a more fascinating method to investigate how Taiwan's Chinese Nation...