Motivated by the comeback of the vinyl, we explore the idea that the success of a third-generation technology (digital music) can have adverse effects on the second generation (CD) but positive effects on the first one (vinyl). This phenomenon arises in a market if the process of innovation is not transitive. In particular, we identify a condition such that the second generation completely substitutes the first one, the third generation completely substitutes the second one, but the first and the third generations have enough complementarities to coexist. Beyond the case of music industry, our model has implications on product positioning and product design
New technologies continue to shape the way music is produced, distributed and consumed. The new turn...
As a counterpoint to the more common explorations of vinyl from the consumer perspective, this thesi...
The purpose of this study is to contribute to a better understanding of the strategic and organisati...
Motivated by the comeback of the vinyl, we explore the idea that the success of a third-generation t...
In this paper, we develop a new innovation diffusion model for two competing products, which allows ...
As an important vehicle in the development of music and recording art, vinyl records have gone throu...
International audienceIn this paper we study the impact of a radical technological innovation on bus...
The emergence of a major innovation often poses a threat of substitution to firms with a base in an ...
© 2015 Elsevier Inc. New technologies continue to shape the way music is produced, distributed and c...
International audienceThis article draws on the theory of disruption to analyze the impact of digita...
Innovation has often been at the core of record production, yet as production has advanced from Fred...
New technologies continue to shape the way music is produced, distributed and consumed. The new turn...
The popular music industry is in the middle of a technology-driven revolution. It is clear that the ...
New technologies continue to shape the way music is produced, distributed and consumed. The new turn...
As a counterpoint to the more common explorations of vinyl from the consumer perspective, this thesi...
The purpose of this study is to contribute to a better understanding of the strategic and organisati...
Motivated by the comeback of the vinyl, we explore the idea that the success of a third-generation t...
In this paper, we develop a new innovation diffusion model for two competing products, which allows ...
As an important vehicle in the development of music and recording art, vinyl records have gone throu...
International audienceIn this paper we study the impact of a radical technological innovation on bus...
The emergence of a major innovation often poses a threat of substitution to firms with a base in an ...
© 2015 Elsevier Inc. New technologies continue to shape the way music is produced, distributed and c...
International audienceThis article draws on the theory of disruption to analyze the impact of digita...
Innovation has often been at the core of record production, yet as production has advanced from Fred...
New technologies continue to shape the way music is produced, distributed and consumed. The new turn...
The popular music industry is in the middle of a technology-driven revolution. It is clear that the ...
New technologies continue to shape the way music is produced, distributed and consumed. The new turn...
As a counterpoint to the more common explorations of vinyl from the consumer perspective, this thesi...
The purpose of this study is to contribute to a better understanding of the strategic and organisati...