This ethnomusicology study explores the contexts of the bamboo musical instruments of the Kalinga people of the Philippines in two distinct contemporary locations: the urban setting of Lucnab, Baguio City, and the rural setting of Sukiap, Kalinga. Through the study of the instruments, the music, and the individuals who participate in the music, I will examine the fluid and reflexive contextualisation of the music of the bamboo instruments, and how traditional musics undergo redefinition, reformation and a re-investing with new cultural significance. At the centre of this thesis lies an individual, Benicio Sokkong, a teacher, researcher, instrument maker and performer, who is key to the revival of the bamboo musical instruments not on...
This study combines classification and paradigmatic analysis of drum (kendang) stroke patterns, used...
This dissertation presents an ethnomusicological study of Rotenese gong (meko), particularly in rela...
Connie Lim Keh Nie and Mohamad Fadzil Abdul Rahman discuss how instrumental music performed in the p...
This ethnomusicology study explores the contexts of the bamboo musical instruments of the Kalinga pe...
This research aims to make a comprehensive study of bongkel music, which is a said to be a forerunne...
Calung Banyumasan: Shaping Bamboo, Sounding Identities is an ethnomusicological documentary film abo...
The Ifugao is one of the well-studied indigenous peoples in the Philippines from the Cordillera Reg...
Wiragawi Bamboo Music: the Representation of Commodification of Bamboo from the Structural Results a...
Gamelan gong luang is a rare and sacred music ensemble performed in Bali, Indonesia. Its origins ar...
Villagers of Waringinsari, Sukoharjo sub-district, Pringsewu district, Lampung province grows and de...
Situated along centuries-old global trade routes, North Sumatra has long been a place of global conf...
Bongkel is the music of a farming community that developed in Gerduren Village, Purwajati, Banyumas,...
The Lebu’ Kulit people refer to themselves as belonging to one of the different subgroups of Kenyah....
Angklung is a traditional musical heritage musical instrument originating in Indonesia, but around t...
Angklung is a popular bamboo musical instrument in Southeast Asia. It is the easiest instrument to p...
This study combines classification and paradigmatic analysis of drum (kendang) stroke patterns, used...
This dissertation presents an ethnomusicological study of Rotenese gong (meko), particularly in rela...
Connie Lim Keh Nie and Mohamad Fadzil Abdul Rahman discuss how instrumental music performed in the p...
This ethnomusicology study explores the contexts of the bamboo musical instruments of the Kalinga pe...
This research aims to make a comprehensive study of bongkel music, which is a said to be a forerunne...
Calung Banyumasan: Shaping Bamboo, Sounding Identities is an ethnomusicological documentary film abo...
The Ifugao is one of the well-studied indigenous peoples in the Philippines from the Cordillera Reg...
Wiragawi Bamboo Music: the Representation of Commodification of Bamboo from the Structural Results a...
Gamelan gong luang is a rare and sacred music ensemble performed in Bali, Indonesia. Its origins ar...
Villagers of Waringinsari, Sukoharjo sub-district, Pringsewu district, Lampung province grows and de...
Situated along centuries-old global trade routes, North Sumatra has long been a place of global conf...
Bongkel is the music of a farming community that developed in Gerduren Village, Purwajati, Banyumas,...
The Lebu’ Kulit people refer to themselves as belonging to one of the different subgroups of Kenyah....
Angklung is a traditional musical heritage musical instrument originating in Indonesia, but around t...
Angklung is a popular bamboo musical instrument in Southeast Asia. It is the easiest instrument to p...
This study combines classification and paradigmatic analysis of drum (kendang) stroke patterns, used...
This dissertation presents an ethnomusicological study of Rotenese gong (meko), particularly in rela...
Connie Lim Keh Nie and Mohamad Fadzil Abdul Rahman discuss how instrumental music performed in the p...