This thesis examines the dynamic of humour in contemporary feminisms, investigating social conventions and the absurdity of human existence. It articulates through a suite of performative videos with a low-fi aesthetic how humour can be employed to reconfigure our understanding of subjectivity and sexuality, and argues for the necessity of rethinking feminist art language to ensure its contemporary viability as a political project. This body of work explores the language of comedy as a device for political and social communication, as a potential agent in undermining cultural hierarchies and as a disarming strategy to deal with serious issues through pleasure, happiness and recreation. In particular, it examines the physical humour of slap...