Add to ORKGRitual fails and succeeds in most of Soyinka's plays. Each play depicts an interruption, involving a substitution, of an indigenous ritual sequence, and it is often through this vey diversion and corruption of the rite from its proper course that it acquires a universal and largely spurious archetypal identity
Critics make a large claim that Wole Soyinka mythologizes death and deploys ritual form in his drama...
The powerful presence of the theatricalised post-colonial body, suggests that foregrounding corpore...
This chapter discusses Wole Soyinka's The Bacchae of Euripides: A Communion Rite, It explores, first...
Traditional African expressive and performance forms like myths and rituals, dance and mime, music a...
Abstract: The folk element in African literature and drama owes its richness to the various language...
The tendency to invest characters with ritual identities in the work of a minority of West African p...
This study examines the dramaturgy of the Nigerian Nobel Laureate, Wole Soyinka as a model of an aut...
Burial rites are social affairs, and in Africa, political actors are cultural agents whose existence...
Music, in any dramatic work, is not just meant to be an ordinary gap-filler, but is used as a necess...
A concern for social regeneration stands as the factor that animates Soyinka's life-long involvement...
While the earliest forms of Yoruba theater may very well be found in ritual plays such as egungun an...
The study of myths—their relevance and importance—has always generated interest among scholars over ...
Tese de doutoramento em Estudos Artísticos (Estudos de Teatro), apresentada à Universidade de Lisboa...
This dissertation reviews previous studies done on the works of Soyinka and outlines what seem to be...
Returning and recurring cultural forms, ancestral incarnations, theatrical imaginations, and racial ...
Critics make a large claim that Wole Soyinka mythologizes death and deploys ritual form in his drama...
The powerful presence of the theatricalised post-colonial body, suggests that foregrounding corpore...
This chapter discusses Wole Soyinka's The Bacchae of Euripides: A Communion Rite, It explores, first...
Traditional African expressive and performance forms like myths and rituals, dance and mime, music a...
Abstract: The folk element in African literature and drama owes its richness to the various language...
The tendency to invest characters with ritual identities in the work of a minority of West African p...
This study examines the dramaturgy of the Nigerian Nobel Laureate, Wole Soyinka as a model of an aut...
Burial rites are social affairs, and in Africa, political actors are cultural agents whose existence...
Music, in any dramatic work, is not just meant to be an ordinary gap-filler, but is used as a necess...
A concern for social regeneration stands as the factor that animates Soyinka's life-long involvement...
While the earliest forms of Yoruba theater may very well be found in ritual plays such as egungun an...
The study of myths—their relevance and importance—has always generated interest among scholars over ...
Tese de doutoramento em Estudos Artísticos (Estudos de Teatro), apresentada à Universidade de Lisboa...
This dissertation reviews previous studies done on the works of Soyinka and outlines what seem to be...
Returning and recurring cultural forms, ancestral incarnations, theatrical imaginations, and racial ...
Critics make a large claim that Wole Soyinka mythologizes death and deploys ritual form in his drama...
The powerful presence of the theatricalised post-colonial body, suggests that foregrounding corpore...
This chapter discusses Wole Soyinka's The Bacchae of Euripides: A Communion Rite, It explores, first...